Obliques and Atmospheric are very happy to present their new album “Golden Apples of the Sun”. It is the result of a close cooperation between Suzanne Ciani and Jonathan Fitoussi. The American electronic music pioneer (5 time Grammy award-nominated) has joined the French composer to sign a four-hand album around mythical synthesizers like Buchla, Moog and Ems...Mainly recorded in California, facing the Pacific Ocean, the white sound of synthesizers mixes constantly with the sound of the waves and wind.The music generated is directly blended with the surrounding elements of nature.It is both organic and live, hypnotic and rhythmical, powerful and dreamlike.Suzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synthluminaries. Most recently, she is the recipient of the Independent Icon Award from A2IM. Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s pop-and-pour sound, designed logos for Fortune 500 companies, and carved out a niche as one of the most creatively successful female composers in the world.

Caz Plak İstanbul proudly presents...ONE OF JAZZ'S ALL-TIME GREATS PLAYING TURKISH RHYTHMS!Don Cherry delves into Turkish rhythms, accompanied by his long-time Don Cherry Trio members: Turkish drummer Okay Temiz and South African bassist Johnny Dyani.The vinyl LP is manufactured in Istanbul under the guidance of Mr. Okay Temiz, the only living member of this iteration of the Don Cherry Trio. The LP has been remastered from original material housed in BYG Records' vaults by Okay Temiz & Mert Ucer and licensed from BYG Records, France.This LP features the recording by the Don Cherry Trio in Paris 1971 for the Sound and Vision program at the legendary ORTF studios in Paris 1971. Serving as the second chapter of our 'Turkish Jazz Trilogy', it follows Okay Temiz's magnum opus, 'Okay Temiz's Oriental Wind at Montreux Jazz Festival 1982' LP. We present one of the paramount Jazz figures of all time interpreting Turkish rhythms in Don Cherry Trio - The ORTF Recordings Paris 1971 LPThis release also stands as one of the most important recordings prior to Don Cherry's legendary "Organic Music Society" album in 1973, in which Okay Temiz also plays drums. "Don Cherry Trio as an 'Applied Universe of Thought.'In the spring of 1971, while we were playing as the Don Cherry Trio in Paris, Don (Cherry) seamlessly flowed from the trumpet to the piano, with improvisation as the lighthouse of the melody. This approach opened up a realm of boundless freedom for Johnny and me. It is to be observed as a melody within a melody. From the Organic Music Society album we recorded a year after this concert, up until the ECM album we recorded before Don's final departure from this planet, this principle has been the gravitational force of the Don Cherry universe.That, indeed, is the true legacy of the Don Cherry Trio."Excerpt from the liner notes by Okay Temiz and Haluk Damar

Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between experimental music and pop music.This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M.“Aphex Twin told me once that the original soundtrack of “Les granges brûlées” was one of his favorite records” Jean-Michel JarreLIMITED EDITIONREMASTERED FROM THE ORIGINAL MASTER TAPESEXCLUSIVE LINER NOTES

Yaşar Akpençe was born in 1966 in Istanbul (Türquiye) and can be consider as one of the best world darbouka player.He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary.The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world

Get Ready for Another Mind-Blowing Journey with Two Tales From The Mind!After a first volume featuring Janko Nilovic & The Soul Surfers, Broc Recordz is back with a new banger. This time, we've got none other than the legendary JJ Whitefield (known for The Poets of Rhythm, Karl Hector, Embryo, W.I.T.C.H...) and the incomparable Igor Zhukovsky from The Soul Surfers.Our concept remains unchanged – two sides, two unique vibes: Side A: Groove to the funky beats of "One Hand Clap" – it's pure funkadelic ecstasy! Side B: Take a trippy ride with this psychedelic tune, "Munich Bells" – it's a sonic journey like no other.Two Tales for the mind, is meticulously crafted to blow your mind. Get ready to immerse yourself in the experience. Enjoy the ride!

Stix Records, a sub-label of Favorite Recordings, proudly presents Disco Reggae Vol. 5, pursuing the highly acclaimed series started 10 years ago. Birth land of the Reggae music, Jamaica has also always been fed by Soul, Funk, R&B and Pop music from the US scene, delivering some of the best covers anyone could think of. With it’s Disco Reggae series, Stix Records therefore simply carried on this tradition, offering new versions of classic songs from a wide spectrum of musical styles.On this 5th edition, the list extend to famous name such as The Undertones, Bobby Caldwell, Cerrone, Patti LaBelle, or Ray Parker Jr. to name a few. At the control to tailor these hits with new and exclusive Reggae suits, you’ll find the best producers from the Stix’ roster like Soul Sugar aka Booker Gee, Taggy Matcher, Simon Nyabinghi, or Mato. Together they signed again a perfect soundtrack to extend your summer and fill your playlists, whether to light the dancefloors or just sip a nice cocktail facing the Negril’s sunset!

Broc Recordz is proud to announce the album "Puzzled" by the legendary JJ Whitefield, you'll immerse yourself in the enigmatic universe of this master of funk and psychedelism.Across 13 tracks, you will discover all facets of this musician hailing from Munich, ranging from raw funk to krautrock. JJ Whitefield is an iconic figure in the music scene, having played an essential role in diverse projects such as the mastermind behind Poets Of Rhythm, Karl Hector, The Whitefield Brothers and his essential role in the recent careers of Ebo Taylor, embryo and witch“. "Puzzled" is the perfect opportunity to delve into his unique musical world.

Claude François is one of the most mythical figures of French Pop music you might have never heard of. He was active from the mid 60’s until his sudden and untimely passing in a tragic domestic accident in 1978. He was mostly known as a teenage sensation, but being a trained percussionist, he had proper groovy numbers too. Most importantly, he co-wrote and sang the original version of what would become “My Way”, one of the most enduring songs in history. In 1977, after hearing Lamont Dozier‘s ‘Going Back To My Roots’; “Cloclo” (as the french lovingly called him) saw the potential of this new Disco trend. This quickly led to the recording of ‘Magnolia For Ever’ and ‘Alexandrie Alexandra’ under the direction of his long time band leader Slim Pezin, who happened to be a Manu Dibango collaborator as well as a core member of seminal Disco studio outfits Voyage & Arpadys. ‘Alexandrie Alexandra’ was recorded in October 1977 at Trident Studios in London and featured a team of skilled UK players, all of whom were involved in Cerrone recordings. Back in Paris, Raymond Donnez AKA Don Ray added strings and horns, then sound engineer and keyboard maestro Bernard Estardy, AKA Universal Energy, L.E.B Harmony and La formule du Baron did the original mix.‘Alexandrie Alexandra’ features an all-star studio cast, but unlike other French acts with same Disco pedigree, it never reached an international audience, mostly due to the very prominent vocals being sung in French.As Claude François last single and one of his most successful, it was never originally remixed for clubs, nor released as a 12’’. To this day, it is still the most played French song in the country’s Discotheques, transcending generations.Dimitri From Paris, being very familiar with this song, always felt the urge of lifting the vocal layer to unveil the beautiful orchestration. So, when finally entrusted with the original multi track stems, he turned the spotlight on Don Ray’s string and horns, bringing the great drums and percussion to the forefront, adding his signature tricks and breaks in the process.This very special 12’’ on Dimitri From Paris new Les Disques De Paris label, features a full vocal ‘Version Discotheque’ and a dubbed out ‘Version instrumentale’, on each side.With these new remixes ‘Alexandrie Alexandra’ finally sounds like a Cerrone Vs Claude François record. Something it almost really always was.Drums : Peter Van Hooke (Love & Kisses, Chaz Jankel, Polnareff, Jane Birkin) Bass : Mo Foster (Olivia Newton John, Don Ray, Cerrone productions)Guitar and rhythm arrangement: Slim Pezin (Manu Dibango, Voyage, Arpadys, Cerrone productions) Piano 1977: Lance Dixon (Cerrone productions)Piano 2023: Allister Thepault (Chatobaron, Dimitri From Paris productions)Percussion : Franck Riccoti / Ray Cooper / Marc Chantereau (Elton John, Voyage, Cerrone productions)Strings and horn arrangement: Raymond Donnez AKA Don Ray (Françoise Hardy, Crystal Grass, Cerrone productions)Synthesizer: Bernard Estardy (Nino Ferrer, La formule du Baron, Universal Energy, L.E.B Harmony)Recorded at Trident studios London by : Stephen W. Tayler. Mixed at studio C.B.E by Bernard Estardy

Introducing the 2nd Volume of Super Biton of Segou’s Afro.Jazz.Folk collection, led by Malian conductor Amadou Bah, also known as “The Armstrong Malian”. Deviation Records is thrilled to present this collaboration with The Mieruba Label Team, showcasing the diverse musical roots of 1970s Mali, combining Afro-Latin percussion, Mandingo songs, jazzy brass, and funky guitar. The album also features the captivating ArtCollage of Emma Margo incorporating visuals of Segou, Mieruba Art Center, and Françoise Huguier. The graphic design is conceived by Les Mouches Graphic Design, with a selective varnish made from traditional Bogolan fabric of the Segou area. The audio was remastered by Raphael Jonin and cut by MB Mastering Studio in Aubervilliers.Get ready for a full sensory experience!

One year after his first release, the french producer and multi instrumentist Antoine Bourachot returns with Diversions, a groove filled journey into espionage. Inspired by great fusion and disco records, with the help from virtuosos Jim Grandcamp (Guitar) and Shoko Igarashi (Soprano Saxophone, Flute), this record is a tribute to musicians and their craft.Alongside cinematic instrumental tracks, a pop side of the record emerges. Miracle, with epic celestial vocals from Giacomo Lecchi d’Alessandro and the ever so sweet Action with his trusted studio mate Irfane (Breakbot).Created in a gear sanctuary somewhere in Paris this record takes the listener into a spy fantasy, portrayed on the cover by the very talented Julia & Vincent.

This EP is the first release to mark the start of a new adventure, illustrating Rude Jude's commitment to a smooth and melodic vintage sound.Featuring 3 original songs, a cover and an epilogue, it is deeply inspired by the legends of Adult Oriented Rock and a mix of 70s/80s Soft Rock, Jazz and Pop.The contribution of the talented vocalist, songwriter and violin player, Jon GK can't be understated in creating and interpreting these songs. All the parts are played by musicians and the production is made through as much analog gear from that era as possible. It is not just a tribute but an attempt to carry the torch and bring something new to the current music landscape.

The concept behind the debut album by Neapolitan producer Paolo Petrella, (also known for Fratelli Malibu, SuperMegaFuckinMachine, and Nu Genea's live band bass player) is both straightforward and unparalleled. It involves re-imagining Renato Carosone's iconic hits infused with the vibrant essence of Cumbia. An original and fresh perspective of the history of Napoli, re-thinking traditions while blending cultures, like an imaginary colony of South Americans living in Napoli’s fishermen neighborhood of Santa Lucia.Cumbia Luciana sounds like the manifestation of a dream, as the poem on the liner notes recites:“It's 3pm in the afternoon, the sea is calm and there are some clouds in the sky from time to time the sounds of mopeds can be heard in the street. A boy is in his bedroom and out of boredom keeps time by tapping his fingers on the bed frame.He leaves the house for a walk keeping the sea on his side. Rumor has it that ten days ago immigrants arrived from Peru,the boy walks and listens it's Sunday, day of celebration, it's 3.30pm the boy walks and listens he is interrupted by a whole new sound, never heard before from a window of a ground floor house men are playing, the boy stands under that window for a while”

Chuwanaga proudly presents Jasual Cazz's inaugural album "Memory Guard". Delving into the heart of jazz fusion, the French trio bridges the nostalgia of bygone years and the avant-garde essence of tomorrow.Memory Guard surely brings some flavours of the seventies and eighties era with their vintage synthesizers. "Better Before", the joyful "Double Comète" or even "Tell Tale" re-enact this legacy while keeping it always groovy and thoughtful. But, as if plucked from the ethereal realm of dreams, "Tell Tale", "Mèches" or "Libellule" sound like hidden places, mysterious pieces of music and time where the memory moves forwards.In the meantime, "Temple", "Jungle Meat" or "L'Arche" venture into modern sonic realms, embracing post-jungle influences that propel jazz into uncharted territories. Body and mind can now synchronize. Painting an auditory landscape that unfolds in a myriad of hues and forms, Memory Guard really follows the inventiveness of the actual jazz scene but with the emotional intelligence of the French jazz-funk heritage.Jasual Cazz is the brainchild of Theo Boero on bass, Pierre-Louis Vanier on keys, and Japhet Boristhene on drums, hailing from the vibrant city of Lyon, France.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group the Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jaw-dropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As-Shams/The Sun collection.

Moar is back with a new double single with afro disco vibes.The M side is a haunting vocoder disco vibe that some fans may recognize while the MM side is a dubbed version of a big classic afro that has influenced so many producers!No doubt that this 7 inch will find its place in several circumstances of dj set.

Moar is back with his Badlibs, this time covering a track composed by legendary producer Jay Dee aka J Dilla. This time the Badlibs are joined by pianist Floriant Pélissier, who covers the main theme on piano, accompanied by Elisabeth Jutel (Double Françoise) on backing vocals and Jean-Louis Potin on saxophone. Moar is behind the MPC to produce and arrange the track, while he entrusts his long-time friend King Most (SF / USA) with the task of remixing it for an explosive Samba version. The artwork is by the young and talented Arthur Zupashaf, and the logo by friend Eno Kruger.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jaw-dropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As-Shams/The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

Is it really possible to create without making references? Feeling inspired without being inspired from the outer space ? With this disc, Tushen Raï comes to reconnect with his first passion, collecting records and falling in love with pieces that have unfairly fallen into oblivion, left behind, lost in the meanders of the musical hyper productivity of the 80s and 90s. As a tribute to these unlucky melodies : he samples, he reinvents, he reconstructs. Not in the hope of giving them a second life, and without the pretention of changing their destiny. But simply to cherish them, to show them his love and his respect for what they are. As a geographical snub, Tushen Raï chose to invite his neighbors, both producers and friends, to join forces on this trip through Peru, Finland, Italy and France. A singular record like an ode to curiosity, thought under the sign of sharing and respect.

Pop Sensation - A groovy and sensual rhythm for a laid back evening with spring reverb Fender guitar and space echo Moog as featured guests.Sounds In The Night - Walking at night into the city after the rain when every sound seems to reverberate on the wet concrete. Modulating guitar over ambient dark jazz and noir.

Timeless atmospheres, hypnotic sonorities, minimal arrangements. And a composer gifted with a never ending passion for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes and soundtrack motifs. One of the most interesting music libraries in the Italian composer's discography, reissued with a new remastering by Musica Per Immagini, is in full harmony with its title.Science fiction has opened up our eyes to a variety of scenarios, possible or impossible, sometimes with a happy ending, sometimes apocalyptic, at times familiarly near, more often disarmingly far away, and always capable of inspiring our imagination. For the histrionic artist it took, perhaps, less of a cosmic leap to create this masterpiece. Centred on the cover, a strange creature with only one eye, its hands on a beaker containing a mysterious red liquid. To its right, a symbolic circle is imprinted on a sandy surface, and three bizarre constructions, similar to the volumetric flasks found in a laboratory, of differing heights and shapes. There is a strange blue planet in the distance.(Notes and images of a dystopian future according to Piero Umiliani)

Mother I’d Like To Funk are back with another sizzling hot re-issue, this time straight from Denmark. Danish pop group “Boulevard” released an obscure LP back in 1981, called “American Dream”.This official re-issue features the street funk anthem “Ready For Your Love” on the A Side, with a special “Synthphonic” Dub version on the B Side (previously only available on the album)This special 7’ version is guaranteed to light up any dance floor

For their second LP ‘Elios’ on Periodica Records, musical collective “Parbleu” - led by Andres Balbucea and Andrea De Fazio - reach towards realms both astral and ancient to present a solar sonic suite of sky-seeking exotica inspired by the mythological adventures of Helios. Elemental grooves anchor textures of cosmic magic and faraway fantasy, wherein panoramic conga and bongo displays lead to limbo line hysteria and fat-bottomed bass grooves slide through layers of galactic grease. Phaser riffs and flangers arps fly in unison, lyrical runs dart and dash through flourishes of baroque Turkish psychedelia, and as moonbeam lasers fire over thrilling balearic escapes, Iberian reeds dance joyously amidst jangling six-string sunstrokes.Captured in part at the West Hill Studio, the album is an evocative and polychromatic display of sight and sound, one where Arabian strings riding a desert wind dub skank give way to passages of cinematic folk funk, or elsewhere to sections of pompous progressive rock and angular jazz fusion. And as with Parbleu’s first LP ‘Danse Cette Zik,’ there is an awe-inspiring display of vocal talent across ‘Elios,’ as soft-soul seances, choral pop communions, 60s soundtrack spirituals, Italo diva poetics, and intoxicating call-and-response spells rain down over the mystical melodies and dancefloor dynamite.

Out of the utter sense of geographic belonging, not a political one and as personas that live by music and not genres, Eilon Elikam, Aviv Ezra and Isra Shalabi began a slow dialogue that evolved to take shape as their first Album. One that is in fact a journey between cultures, times, places and of course sounds that were molded within the middle eastern orient that had shaped their musical perception. All out of tremendous respect to their family legacies and to the one that they grew up upon, and live by to this very day.Described in one short sentence, Experimental Arabic Drone Music. Picture dark synths, alianted rare drum machines meet ancient organ lamentations, beats the bubble from deep within and such that floats around spaces in circles while constantly changing. Ones that feel like flying on top of a magic carpet ride over deserts, mosques, ancient prayer books while in the background the dimming lights of a mysterious asphalt and concrete covered city.The core value of the Nomadness of this current age is felt in each and every one of the five tracks on the Homage to Tarab EP. The sense that a home can be everywhere, every time and in every culture, as soon as you are willing to embrace influences from far away places alongside your cultural DNA that bind together to a unique and evolving musical piece. One that is in no rush to impress but exactly like an enchanted meditative dance, constructs its power from its own continuous process with a feeling of getting lost in your most familiar places. Written and Produced by: The HallwaysArabic Organ, Vocals (Rast, Bayat Re, Bayat Sol: Aviv Ezra)Vocals (Ya Garat Elwadi): Isra ShalabiDrum Machine, Darbouka: Eilon Elikam

The track PSYCHOSE, unreleased to date, was recorded by CORTEX in 1977, for a film whose film was unfortunately destroyed in a fire.The original soundtrack, fortunately saved, has recently been found.

1 december 1944, Thiaroye military camp, right outside of Dakar, Senegal. 1600 French soldiers of West African origin (Benin, Mali, Ivory Coast, Tchad, Senegal , Gabon, Togo etc.) have been quickly evacuated by the French Army during what was subsequentially called the ‘whitening of the colonial troops’ that happened before the armistice signature. The soldiers are awaiting to be paid for their war effort. Things go sideways, protests erupt, and the French military staff decides to open fire. The official number of casualties is 35, although various sources claim several hundred people died on that fatal day. Since then, several artists have grasped that difficult topic, screaming for recognition and reparation. Such is the case with a young Senegalese musician and singer named Maxidilick Adioa, with his very first single ever released, ‘Toubab Bile’, in 1987. At that time, Adioa had been living in France for a few years. He was considered a master percussionist, playing, recording and touring alongside the great Ivorian artist Alpha Blondy. He had just written a beautiful tune, ‘Nao’, for Aminata Fall, one of the biggest actress and singers in Senegal. It seemed like a good time to launch his solo career. Toubab Bilé remains Adioa’s biggest hit to this day, and one of the best African reggae tune ever recorded. Adioa ended up signing an album deal with Chris Blackwell’s Island records and toured the world endlessly during the following years. In 2012, François Hollande was the first French President to officially mention and pay tribute to the Thiaroye massacre in a speech.

Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use.The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

If one was to interpret the whole output of EABS in general, an inquisitive listener would notice that each subsequent album stems from the previous one. The overtones are similar and they can be treated as variations on the same theme. The only thing that changes is the background of the story. It is all about life and death, the beginning and the end of the world, and the role of human beings entangled in all this existentially. Following the futurism lessons from Sun Ra, the band travels to the year 2061, continuing their mission in space in the company of a living legend, Jan Ptaszyn Wróblewski."ALL THESE WORLDS ARE YOURS – EXCEPT EUROPA. ATTEMPT NO LANDING THERE." – this was the ominous message from the mythical Monolith of Arthur C. Clarke's 2001: A Space Odyssey. The quote became a metaphor for the situation the EABS crew found themselves in when the pandemic hit. It was not only Europe that became inaccessible, the whole world shut down. A reflection emerged that only empathy and cooperation could save humanity. We will not be able to face the greater threat that may come from the outside together by fighting wars among ourselves on Earth. A similar analogy can be seen in Arthur C. Clarke's book series, which was made even more famous by Stanley Kubrick with his iconic screen adaptation, 2001: A Space Odyssey. Released in 1986, the third part of the series has served as an inspiration for the fourth EABS album titled 2061, a soundtrack to the film that hasn't been made yet.Collaborative work has always been the domain of EABS, which is even more audible with their new album as most of the instrumentalists brought their own compositions to the recording session. As a result, the album oscillates in orbits of many genres such as jazz, electronica and hip hop, in such mutations as Miami bass, trap and drill. It might come as a surprise that the role of the spiritual guide and mentor here is played by Jan Ptaszyn Wróblewski who has taken part in all the quests in the history of Polish jazz, just like Dr Heywood Floyd traversing the galaxy aboard the Universe spacecraft.The year 1986 is symbolic for EABS. Poland was then visited by Sun Ra with his Arkestra carrying a prophecy: "We are living in End Time, all right, but in the last daze. It’s after the end of the world. Don’t you know that yet?" – these words of the Saturnian alien were hovering over the group's previous project. That year Halley's Comet flew close to Earth, inspiring Arthur C. Clarke to write the third installment of A Space Odyssey. The next time we will be able to see this celestial body is not until the eponymous year 2061. In his book, the author envisioned the current decade as full of crises, scandals and disasters. Having been in space for years, Dr Heywood Floyd would observe cities in flames, a nuclear war outbreak, and all the other horrific events from his monitor window. With the nightmare unfolding on Earth, the cultural and linguistic differences that had arisen over the millennia began to disappear, and the appearance of a new sun named Lucifer only accelerated the process. The superpowers, destroyed by warfare against each other, achieved reconciliation and reunification, making the outbreak of further wars of this kind impossible. At last, the existing peace machinery began to choose life over death. The disintegration of the enormous parasitic military business resulted in the acceleration of world economic development. The moral equivalent of war has led to the undoing of centuries of damage and neglect caused by it. This latest EABS album stands for the time when Halley's Comet will again fly by very close to Earth. We should hope that in the light of recent events, the utopian vision of the author of A Space Odyssey will come true and peace will come to our planet. Fortunately, there will be no need to wait another 40 years for the album.

Bollywood rarities handpicked and remastered on a double LP release with laminate gatefold and multi-layered flower petal foldout. Featuring rare, overlooked or not-previously-on-vinyl music from Bappi Lahiri, R. D. Burman, Ilaiyaraaja, Kalyanji-Anandji, Anand Milind, Raamlaxman and Kirti Anuraag released between 1982 and 1986. Mastered for and cut to vinyl by multi Grammy-nominated Frank Merritt at his mastering studio The Carvery.Naya Beat is incredibly proud to present the first in our series of ‘Awaaz’ (‘sound’ in Hindi) archival projects focused on uncovering the sounds of 1980s Bollywood Original Soundtrack Recordings (OSTs). Series 1 focuses exclusively on the musical output of CBS Gramophone Records & Tapes (India) Ltd. Active during India’s peak disco era – a time when synthesisers and drum machines became a mainstay in Indian popular music – CBS India became a home for established composers to be experimental, up-and-coming composers to get their start, B-movie soundtracks, and straight-to-VHS releases.Expertly curated by Naya Beat co-founders Turbotito and Ragz, who were given unprecedented access to the original label archives, this compilation is not just a collection of four-to-the-floor Bollywood disco (although there are plenty of those). ‘Awaaz’ is designed to take listeners on a musical journey that includes everything from leftfield electronic and mood music to outrageous proto house.Be it classic and hard to find cuts like Ilaiyaraaja's "Aye Zindagi Gale Lagaa Le" and “Mere Jaisi Mehbooba” (Bappi Lahiri’s Hindi remake of Herbie Hancock's “Rockit”), or the instrumental mood music of Kirti Anuraag’s VHS movie soundtracks, to the proto house of Raamlaxman’s “Dil Gadbad Jhala” and Kalyanji-Anandji’s “Aage Bhi Dushman,” or the synth and guitar drenched breakdance madness of R. D. Burman’s “Dekho Idhar Jano Jigar,” the music on this compilation captures the output of a label that was unique as it was unconventional.An homage to the genre, every detail in this stunning release has been lovingly crafted. From the laminate cover to the absolutely incredible foldout, to the cut-out and collage design, to the font type and layout, there are countless authentic details and nods to classic Bollywood releases of the era. As much of the album has been made in India as is possible. The sleeves have been handmade in New Delhi. The liner notes have been compiled by music archivist Nishant Mittal (aka Digging In India).

The Belgian vibraphonist Guy Cabay has played with Toots Thielemans, Philip Caherine or Raoul Faisant. Composer, arranger, musicologist and singer, he also wrote and recorded two extraordinary albums in Liege Walloon. Tricatel is happy to make them available at last, 46 years after their publication."Gravity kills us. Perhaps that is the meaning of Adam's Fall. We are condemned to be Newton's apple, not the balloon carried away by the wind. But it happens nevertheless that, by the grace of music in particular, we escape gravity, that time escapes time, that another breath inflates our lungs, so much lighter than the one that usually suffocates us.We don't take light music seriously, and that's good. Only serious music deserves to be treated so badly. Guy Cabay's music flows from a purer source and speaks to us in a more tender voice. One can obviously describe it as one labels export product. Origin: Belgium. Ingredients: jazz, bossa nova, tropicalism, song - proportions may vary. Calorific value: none.Non-perishable product. But this would say as much about what this music really is as if, in. order to evoke what the foggy blue of a Norman sky inspires, one were to take note of the variations in the percentage of humidity in the atmosphere at Etretat and make a learned presentation on the laws of refraction.Guy Cabay did pass through Brazil and still lives there a little, a Brazil that is not the one ofcartographers or travel agencies, a Brazil that is as real as the Far West in which Fenimore Cooper's child readers lived, as blurred and limpid as a dream. It is not the Amazon thatflows through this Brazil, but the Ourthe, a tributary of the Meuse, which makes it morefamiliar, stranger and even more poetic. To let oneself be bathed in this melancholichappiness, to let oneself be carried by this river is sweet, as sweet as the fluid consonants of the Walloon language, this 'd' which becomes 'dj' in his mouth, as in Portuguese, by the way. To know how to create melodies that hold on a note like Jobim's samba, like a fildeferist above a waterfall of chords, is not given to everyone. It is a gift. Knowing how to lace others on dozens of points, as on Tot a-fet rote cou d'zeur cou d'zos, a poignant encounter between Randy Newman and Robert Wyatt, is another. These are not the only ones that the fairies offered to Guy Cabay and that, by an almost miracle, he offers us again today. Hearts up." Bertrand Burgalat

Viscardi & Il Duo Magnetico is the new collaborative project between italo-swiss DJ, producer and singer Pascal Viscardi, Yavor Lilov and Alain Sandri, respectively drummer and percussionist of the swiss cult band L’Éclair. The three musicians joined forces in Geneva and worked in the studio for the past two years with Viscardi as the main vocalist, Lilov producing the tracks and playing drums, bass and keys, and Sandri on guitar, percussion, and backing vocals. The result is a unique and contemporary version of italian pop, peppered with new-wave, boogie, disco and world music references.On Sale Sole Pascal's mellifluous lyrics float on a midtempo boogie groove, projecting visions of sun drenched cities and summer sunsets. On the flip side Jamba Club is a reggae infused slow burner, reminiscent of night encounters and forgotten love stories. Sale Sole / Jamba Club marks the project’s debut release and serves as a sneak peek into the upcoming full-length album, set to release on Cosmic Romance in fall 2023.Pascal Viscardi : vocals, lyrics & synthsYavor Lilov : drums, guitars, bass & synthsAlain Sandri : guitars, percussions & backings

New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo.Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians. “Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle.On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.

After the very well received, both by the audience and critics, debut album Repetitions (Letters to Krzysztof Komeda), focusing on the lesser-known works of the legendary Polish composer, the Wrocław-based EABS decided to further expand this lead and released two more vinyl records, "live" and "on tape", which crowned the "Komeda triptych". The astounding reception of the band's debut whet listeners' appetite for completely new recordings. It took 2 years for the new album to materialise, this time, however, it is filled with 100% original material.This time the EABS band did not directly address the legacy of the Polish school of broadly understood popular music masters. At the same time, the musicians kept in mind that such legacy is, in a sense, the capital of the past which adds up to identity and builds the future. Therefore, in their further musical quest, the band stayed observant of the signs and inspirations from their predecessors from the jazz and big beat era, who paved the way through their willingness to experiment and pursue a unique sound. Thanks to these concepts, the ensemble decided to listen even more intently to their inner voices. This has enabled EABS to avoid the obsession of imitating the Western sound, which conquers the increasingly generic domestic music industry.The conceptual direction and the first sketches of compositions were already prepared shortly after the summer of 2017. However, the fast-paced life on tour and the desire to expand the line-up with a soprano saxophone and flute eventually played by Tenderlonious did not allow for quick studio manoeuvres. Especially that the London guest artist needed to arrive for the sessions in Wrocław. Thankfully, time has only worked in favour of this material. The band was already incredibly harmonious while implementing all the assumptions during the recordings. The compositions have matured and evolved even more.The idea for “The Darkness”, the composition opening the Slavic Spirits LP, was born out of collective improvisation performed before a Komeda-inspired medley of “Free Witch and No Bra Queen / Sult” played in concert. It came as a surprise to us that this new album, devoted to broadly understood Slavism, turned out to have its roots in the combination of compositions about a witch and hunger. Both were present in Central Europe, not only in the Early Middle Ages. During the tour, while travelling together, we talked a lot about Poland’s difficult history. We noticed a number of dreadful episodes and unresolved traumas that have been haunting us until this very day – Marek Pędziwiatr recollects.Inspired by deliberations of many musicians, but also historians, journalists, writers, and even psychotherapists, new compositions began to appear rapidly, pouring out of the band’s spirit and imagination. The material is also an attempt to radically break out of the status quo of national mythology which currently steers the collective imagination of the Polish society. The musicians turned to Slavic mythology and Polish demonology, while pondering upon the contemporary spiritual condition of Poles. The enigmatic “Slavic melancholy” remains the main inspiration for the following album, as the band tried to extract it from their own DNA. Slavic Spirits is an an endeavour to get in touch with the world of a long- and brutally lost culture which, due to lack of sources, will never be thoroughly explored. A piece called “The Darkness” is a metaphor of this obscurity and the blank page in the history of our ancestors. What follows is a trip to the woods and fields where we face two demons ruling those realms, namely “Woodland Spirit” and “The Noon Witch”. In the end, we climb a marshy and foggy holy mountain (“Ślęża”) to eventually practice ritual “Sun Worship”.

In the realm of computer-generated music, all compositions are essentially binary, consisting of zeros and ones, representing data and information. Within this binary structure, every musical event exists amidst a backdrop of unchosen possibilities, creating a sense of absence and mourning for what could have been. The bittersweet emotional quality often found in certain electronic music may stem from a combination of its underlying aesthetic principles, a yearning for a lost vision of the future, and the subtle interplay between presence and absence inherent in the creative process itself.Released for the first time on vinyl and including 2 unreleased tracks, Tales From The Silent City is a deep electronic journey with the unmistakable Niko Tzoukmanis's sound and sensitivity. The album features sequences that shimmer and persist, while gentle pads offer soothing relief to weary listeners.Tales From The Silent City not only draws inspiration from a nostalgic era of sequencer-driven music but also anticipates the trend of seeking solace in '90s-influenced ambient techno during uncertain times.

Ebo Taylor “Twer Nyame” is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs and artwork as per the original release.Originally released in 1978 on Philips-West African-Records. Classic highlife sounds; uptempo grooves, vocals, tons of percussion, guitar, horns and organ lines. Featuring the stand-out ‘Atwer Abroba’.Ebo Taylor is one of Ghana's finest producer/arrangers.Taylor was heavily influential in the unique sound that emerged from the country in the 70's; a combination of traditional Ghanaian with Afro-beat, jazz, and funk rhythms.He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and Sol Amarfio who later joined Osibisa), Apagya Show Band and fellow musicians C.K.Mann, Gyedu-Blay Ambolley and the legendary Pat Thomas.

EXCEPT FRANCEA few years ago, a very interesting relationship began to develop. A bridge was built out of Jaubi's releases on Astigmatic Records and the increasingly frequent collaborations between musicians from Europe and Asia - out of Latarnik's trip to Pakistan resulting in the widely acclaimed album Nafs at Peace and Zohaib, Dhani and Ali's revisit to Poland, which has been recorded as the EABS meets Jaubi In Search of a Better Tomorrow longplay.

Take one of the oldest library labels of the world, entrust its incomparable catalogue to the expert hands of two records scouts and sampling enthusiasts, and you get Cavendish Rarities, an exceptional 12-inch vinyl gathering brilliant producers who made the reputation of this prestigious Music Library founded in London in 1937. For the first time on Beatsqueeze Records, Mister Modo and Ugly Mac Beer have selected 13 original tracks impregnated with vintage spirit and cinematographic atmospheres, signed with Cavendish in the 70’s by Trevor Duncan, Ray Davies or Dennis Farnon. A unique compilation on vinyl only, edited by two passionate crate diggers, for all music lovers in perpetual quest of rare pearls and fans of great old school sound!

Stix Records, a sub-label of Favorite Recordings, presents this new stunning single release by Mato, this time taking over the famous hit of Bobby Caldwell, and inviting for the occasion newcomer label mate, Ethel Lindsey (1st album upcoming on Favorite Recordings).After the recent success of his Summer Madness / Maiden Voyage single, quickly followed up by the release of Jazz-Funk Dub Tribute LP, Mato and Stix got keen to pursue their journey within the wide and miscellaneous American groove music repertoire. In September 2022, just after the release of this same LP, Pascal Rioux (A&R of Favorite and its sub-labels) submited to Mato the idea of the Bobby Caldwell’s song and the start of a new “Mellow Reggae Series” focusing more specifically on the so-called AOR and Blue-Eyed-Soul genre.“What You Won’t Do For Love” by Bobby Caldwell, is one of this instant classic known and heard at least once by almost everyone on the planet, although its performer still remains quite unknown for most. With this thrilling version, Mato strikes again our ears of his matchless skills for dub production and the magic happens again. And while it was not an easy task to walk in the footsteps of Caldwell’s vocals, under the radar and upcoming singer and composer Ethel Lindsey sounds like a perfect match for the song, he just killed it with his soulful singing and great feeling.Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

EXCEPT FRANCEFast-rising pianist and producer Yoni Mayraz presents his debut LP ‘Dybbuk Tse!’ revealing the story of a malicious possession that is taking over one’s body and soul.Dybbuk, known from Jewish folklore, is a malevolent wandering spirit that enters and possesses the body of a living person. It’s a cursed soul of a dead one that wanders tirelessly for sins committed during their life. The most vulnerable victims are the young and the sinful. Possession can be taken literally or as an analogy to the burden that young people carry generations back, which they have no influence on, and which they have to accept. Dybbuk can only be removed by exorcism. The titular ‘Dybbuk Tse!’ is a command to remove the spirit from the possessed body. The album is a story about possession but also about exorcism through music.Recorded live with his band in a dusty wooden studio, ‘Dybbuk Tse!’ is indeed experimenting with the ‘darker side of things’, but yet with a somewhat lighthearted approach which is so typical of Yoni’s work. He easily combines jazz with the sound of 90’s New York hip hop and raw old school breakbeat. The album interweaves unique Middle Eastern melodies, sophisticated structures and sounds, and beautifully crafted solos played by some of the promising talents on the scene.London based Israeli born pianist and producer Yoni Mayraz has set foot in the instrumental music scene with his EP ‘Rough Cuts’ released in 2020. Since then, Yoni and his band have been playing major venues and festivals around the world including the legendary Ronnie Scott’s and The Jazz Cafe, to name a few, bringing raw energy to stage with live versions of the studio materials, and stretching the melodies and structures into a Dancefloor-focused take on jazz.‘Dybbuk Tse!’ album will be released by Astigmatic Records on LP in regular and limited (B1 poster included) editions, as well as on all streaming platforms.

Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.

** Available exclusively at The Pusher **Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers merging in a unique musical blend. Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu Genea's hometown, Napoli, becomes a true place of encounter.You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté", where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song, giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic, deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multi-textured instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’ Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions, they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to unexpected musical journeys.

Almost 2 years after the success of the album THE TONY ALLEN EXPERIMENTS and a few months after the release of the 7inch AMORE, Nu Genea (Nu Guinea) return to the scene with a new LP published by their newborn label NG RECORDS.After touring the world looking for sounds suitable for their vibrations, NU GENEA (Nu Guinea) decided to go back to square one, Napoli, where Massimo Di Lena and Lucio Aquilina were born and raised. They watched their city from a distance reconstructing its energy from their studio in Berlin, calibrating the synths on the meridian of Vesuvius, the volcano that has always protected and threatened Napoli.NUOVA NAPOLI is the result of a long musical research that has become a historical investigation on the sound that shaped Napoli during the ‘70s and ‘80s, starting from the contamination of genres (disco, jazz-funk, African rhythms) which ended up in Nu Genea’s DNA.In this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in Neapolitan dialect. It is the first time that the duo has worked with such a large group of musicians, some of whom are exponents of the contemporary Neapolitan scene.WARNING: We recommend listening to Nuova Napoli while walking in the alleys of Napoli’s historic center, around wet clothes hanging and street vendors on tiny three-wheelers.

Pursuing their explorations in the vast corridors of international Funk and Disco music, Favorite Recordings and Bruno "Patchworks" Hovart present us Voilaaa. Following a first 2 tracks single acclaimed this summer and clearly revealing the Afro-Disco inspiration of this new experience, here comes Voilaaa’s first album, titled On te l’avait dit.Under the imprint of the label and after their long years of collaboration in the achievement of projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences.Indeed, as everywhere in the 70s and 80s, Funk and Disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, sounds like a perfect balance. Aiming to find back this energy and specific sound, Patchworks quickly began producing a few tracks; Using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and DIY effects pedals and boxes. Surrounded by a very dynamic music scene, where there is no shortage of artists with African origins, Patchworks decided to work with local singers, even if it means to accompany them on unusual musical paths. A more than successful bet with a result surprising of authenticity, as it’s unveiled recently with two explosive titles alongside Sir Jean and Pat Kalla, both from a musical background as rich than different.The 10 tracks of the album are instantly up to expectations, chaining hit after hit tirelessly, and offering a few more brilliant collaborations with Renaud Bilombo, but also label mates Hawa and Fouley Badiaga. With this new escapade, Patchworks and Favorite Recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors’ loyalty to the spirit of their mythical ancestors ... Voilaaa tout (Thaaat’s all)!!

After the release of Brazilian Disco Boogie Sounds (FVR098), Favorite Recordings follows-up, this time focusing on its homeland language.Helped by a close connoisseur friend, DJ and collector Charles Maurice presents a fine selection of what he thinks represent best the amazing energy of this specific movement and period. With 10 rare titles, all produced between 1975 and 1984, he shows a perfect picture of what you could find in French record stores at that time;On one hand, tracks by Overdrive, Marché Noir, Didier Makaga or France-Lise, were produced by underground artists and labels from the French Caribbean and African community and also filled with the raw spirit of this Tropical stamping. On the other hand, tracks by Beckie Bell, Kelly, Le Club, or Bernard Guyvan, were released by major labels such as Trëma, Carrere, Disques Vogue, or Pathé Marconi, thanks to confirmed independent producers, acting not only in France, but also in Canada and the US.Today, Favorite Recordings and Charles Maurice are very proud to shed some light again on these gems, and hopefully offer them a new life on your turntable.

** Available exclusively at The Pusher **The “Serie Pegaso” catalog stems from the need to write music and lyrics that have a strong link with the city of Naples, that speak the same language and tell it through stories, loves and memories. There are countless stories and testimonies of people who left the "land of the sun" to migrate elsewhere in search of fortune and work but not many know that there is a small bird, the “Capinera”, which has instead decided to do the inverted path through a long journey from cold and distant lands to then settle and find a new home on Mount Vesuvius. But there is also another story, between reality and legend, which is that of the most beautiful woman in the neighborhood called by everyone 'A Capinera because of her long and enchanting black hair. She was a widow coveted and desired by all but she will remain faithful to her deceased husband throughout her life. The only source of livelihood for herself and her three children was the smuggling cigarette trade although she could choose and get whatever she wanted thanks to her irresistible beauty. This is what the creators of the Capinera project tell us, and they are: Gianpaolo Della Noce (better known as Dnapoli and half of the acclaimed diggers duo Napoli Segreta, Michele Cesare aka Breakstarr (one of the pillars of the city's beat makers scene) both assisted by the sharp voice of Adriana Salomone. Together with the production team led by Dario di Pace and Raffaele Arcella the result is the nostalgic and exotic Reggae-Pop in Neapolitan colors of "Il Volo" (today in exclusive preview on Spotify) and the sparkling disco infected “Suonno”.

NEVER RELEASED BEFORETransversales Disques proudly presents Pharoah Sanders - Live in Paris (1975). A never-before released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute. Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes.

They say that good things come in threes… it must be true and Favorite Recordings also proudly presents the third edition of its acclaimed French Disco Boogie Sounds compilation series.Like on prior volumes, the complete tracklist is selected by label head honcho, Charles Maurice (aka Pascal Rioux), who’s unearthed 13 more forgotten and hidden tracks, all produced whether in France, in French, or by French artists between 1977 and 1987.With most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any Disco-Boogie-Funk music lover and collector.Fully remastered from originals at The Carvery Cut (UK), French Disco Boogie Sounds Vol.3 (1977-1987, selected by Charles Maurice) is presented by Favorite Recordings in a gatefold vinyl double LP and as CD.

Stix Records, a sub-label of Favorite Recordings, presents this new stunning single release by Mato, this time taking over the famous hit of Bobby Caldwell, and inviting for the occasion newcomer label mate, Ethel Lindsey (1st album upcoming on Favorite Recordings).After the recent success of his Summer Madness / Maiden Voyage single, quickly followed up by the release of Jazz-Funk Dub Tribute LP, Mato and Stix got keen to pursue their journey within the wide and miscellaneous American groove music repertoire. In September 2022, just after the release of this same LP, Pascal Rioux (A&R of Favorite and its sub-labels) submited to Mato the idea of the Bobby Caldwell’s song and the start of a new “Mellow Reggae Series” focusing more specifically on the so-called AOR and Blue-Eyed-Soul genre.“What You Won’t Do For Love” by Bobby Caldwell, is one of this instant classic known and heard at least once by almost everyone on the planet, although its performer still remains quite unknown for most. With this thrilling version, Mato strikes again our ears of his matchless skills for dub production and the magic happens again. And while it was not an easy task to walk in the footsteps of Caldwell’s vocals, under the radar and upcoming singer and composer Ethel Lindsey sounds like a perfect match for the song, he just killed it with his soulful singing and great feeling.Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

Favorite Recordings proudly presents Voiciii, the 3rd and new album by Voilaaa, an immersive dip into its Afro-Disco universe spread across 14 tracks. Needless to say you’ll find in this new LP all the ingredients that made him famous: strong dancefloor-friendly festive bangers, irresistible funky arrangements and an undeniable sense of humor and irony. Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”). Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.

Tired of reading the words ‘classic’, ‘masterpiece’, ‘missing link’, ‘cult’, in every press release? Just trust us on this one: We have no choice but to use those words and urge you to (re)discover one of the ultimate Afro-Disco lost classics. How could such a masterpiece stay in obscurity for so long? Well, no one knows where N’Draman is. He’s presumed dead, and so is Mr Patrick, the label owner, an ex-football player who turned his focus into fashion after suffering a career ending injury. Selling jeans from an outlet in Monrovia (Liberia), he only ventured in the music business for a short period of time, releasing a handful of incredible albums on his Cosmic Sounds imprint. The word on the street was that Nigerian legend William Onyeabor was somehow involved with the production of the album, or maybe playing synths on it. Both were inaccurate, although N’Draman Blintch’s previous and first record Cikamele, was indeed recorded at Willfilms, Onyeabor’s studio. And some of the musicians playing here were also key members in his pool of session musicians. Cosmic Sounds is many things: Psychedelic, politically engaged, funky to death, full of synths, with an artwork to die for, a perfect crossover of African and Western culture: Music for the body and soul, Cosmic disco before the genre even existed. Did DJ Danielle Baldelli hear it? Was it ever played by Larry Levan or Mancuso? In a pre-internet era, it’s unlikely but not impossible. We are extremely honored in carrying the reissue of this gem and have treated the task with utmost respect: both artwork and audio were restored by specialists, and liner notes were written by Temitope Kogbe, Afro-Funk expert who runs the Odion Livingston label, founded with legendary producer Odion Iruoje. 38 years after its original release, the world is finally ready to hear Cosmic Sounds in all its glory.

Comet is pleased to announce the third volume of the Afrobeat Makers Series: Nu Guinea - The Tony Allen Experiments.By re-working the original magic drum patterns from the Afrobeat master Tony Allen, Nu Guinea created a compilation of tracks which is charged by a voluminous electronic jazz-Psyche funk imprint.For this release, Comet Records teamed up with Early Sounds Recordings, the berlin label, also home to duo Berliners Nu Guinea.The Naples formed, Berlin-based duo, is a project that arose out of jam sessions, melting synthesizers with instruments, containing a handmade sound that is not aiming for perfection but genuineness. It can be understood as a steadily shaping form, always open for collaborations with other musicians. They've previously collaborated with singer Wayne Snow (fellow berliner artist on Comet) for the vocal edit of Nu-World, also delivered a remix for Wayne Snow’ ʻRosie Epʼ both recently released on Tartelet Records.

After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M.This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal. Remastered from the original master tapes. Exclusive pictures and liner notes

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music. On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love! On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!" Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.

Following the recent reissues of Pop Impressions (UR000651) and Super America (UR000651), Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, JANKO NILOVIC.JANKO NILOVIC certainly was one of the greatest studio talents of Europe in the 70s!He is a musician who devotes himself to music, which resulted in a great number of published works, but most of them made for library music labels and also not available for sale.His oeuvre stretches from classical, jazz and funk to pop, psyche and easy listening. And has been sampled many times by hip-hop artists such as JAY-Z, DAFUNIKS or GUTS...

Naya Beat Records is proud to present its release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992. This is the first in a series of compilations and full-length album reissues dedicated to uncovering hidden electronic and dance music gems from the overlooked ‘80s and ‘90s South Asian music scene.The compilation features future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname released between 1983 and 1992. From East-West’s dancefloor filler "Can't Face The Night (Club Mix)" to Remo’s balearic masterpiece "Jungle Days" (off his seminal album Bombay City!) to other disco, synth-pop, and balearic dancefloor bangers from artists like Babla & His Orchestra, Sheila Chandra, Bappi Lahiri and Asha Puthli to name a few, this double album includes highly sought after, previously never reissued and otherwise impossible to find grails.The double album has been mastered by multi Grammy-nominated Frank Merritt at his mastering studio The Carvery and includes some killer remixes and edits by Naya Beat co-founders Turbotito and Ragz.Turbotito and Ragz have this to say about the release: “We’ve spent the last year meticulously remastering some of the coolest finds from our collection and have had the honor of working in close partnership with many of the original artists. We are beyond excited to bring this music out to a new generation of dance and electronic music lovers.”Founded by former Poolside member Filip Nikolic (Turbotito) and DJ and record collector Raghav Mani (Ragz) Naya Beat (loosely translated from Hindi as “New Beat”) is building on the success of seminal South Asian dance and electronic reissues like Rupa Disco Jazz and Charanjit Singh’s iconic Ten Ragas To A Disco Beat. Turbotito and Ragz have spent years digging for records in the most unusual places, from the crowded and dusty markets of New Delhi, Mumbai and Chennai to the Guyanese corner shops in Jamaica, Queens, to the Surinamese record stores in Amsterdam and the South Asian communities of London and Birmingham. They have amassed an exceptionally deep treasure trove of dance and groove-based music that has never been reissued

** Available exclusively at The Pusher **Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first-ever reissue on vinyl.When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community.There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah.Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best-known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs.Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

** Available exclusively at The Pusher **Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series.This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life."Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi, "Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements."Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue: dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to another level of consciousness: deep!The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of their playing.Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles' psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together, after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly gained the respect of the NY musical scene. "Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own style with Psych, Funk and Jazz elements.Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.

** 2023 Repress with new artwork **** Available exclusively at The Pusher **Mystic Jungle makes a much-awaited return with Deviant Disco, a new 12” of sun-soaked groovers released through Periodica Records. A culmination of several years of writing, vibing, and influence mining, these compositions represent the producer’s most varied and expansive works yet, and to fully realize his vision, Mystic Jungle invited the entire West Hill Studio crew to contribute narcotizing layers of pop vocal mesmerism, and additional touches of guitar, bass, percussion, and synth. Strains of Italo disco, balearic boogie, and freaky funk are interspersed amidst passages of Nigerian highlife, soft focus AOR, kinetic Hi-NRG, and exotic lover’s rock, resulting in a personalized voyage through a paradise of sound, one that is unmoored from the concerns of modernity, and celebrates instead a hedonistic naivety, and a desire to dance all day in spiritual ecstasy.

Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket. Tony's solo album, No Discrimination, marks an important turning point in Tony Allen's musical life. Tony had recently left Fela's band, which was clearly an emotional yet necessary change as Allen sings of love and brotherhood throughout his fourth solo album. No Discrimination, both in composition and sound, is a blueprint for the future of Afrobeat, decades ahead of its time. The songs are a mixture of old and new - fusing the classic Afrobeat compositional style with modern production and ideas. Classic tunes like "No Discrimination" and "Ariya" pushed boundaries for what Afrobeat could be, which a wave of Afrobeat bands would pick up on decades later. With No Discrimination, Tony begins to move Afrobeat into the future, which he would continue doing for the rest of his career.Tony Allen was a musical and compositional visionary, and this album finds him beginning to explore that vision outside of Fela's immense gravitational pull. They are the start of a new era in Tony's fruitful career as a solo artist, opening the floodgates for his distinctive Afro-Funk sound and laying the foundation for the next generation of Afrobeat musicians to come.

Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket. 1978's No Accommodation for Lagos, Tony Allen's third solo album, is an effortless Afrobeat masterpiece. The Afrika 70 band floats through two of Tony's heaviest and most churning compositions. With this album, we start to hear Tony Allen's unique style of Afro-Funk that he would explore for decades to come as a solo artist - it is groove-focused, a rolling meditation on rhythm. The first track, "No Accommodation for Lagos" is one of Tony's most pointed and churning songs, recorded in a chaotic period following the army raid of Fela's compound. There is a seriousness to the funk, a real burning purpose in the performance of every instrument, from the horns to the shekere. Tony's performance is supercharged - he clearly showed up to the studio that day with a fire in his heart. The followup track, "African Message," is an Afrobeat compositional staple. Tony sits back in the cut through most of the supremely funky track until about seven minutes in, when he steps into the spotlight to express himself fully - his emotions, his frustrations, his convictions - in a fiery duet between his drumkit and his voice. The percussionists coalesce around him in support, lifting Tony up as he gives it his all.Tony Allen was a musical and compositional visionary, and this album finds him beginning to explore that vision outside of Fela's immense gravitational pull. They are the start of a new era in Tony's fruitful career as a solo artist, opening the floodgates for his distinctive Afro-Funk sound and laying the foundation for the next generation of Afrobeat musicians to come.

** Available exclusively at The Pusher **Comet Records present the new reissue out of the Comet new reissue series, Dilijans by Ayizan. A mind-blowing session of Spiritual Jazz recorded in NYC in 1984 led by Haitian genius Alix Pascal blending traditional Ra Ra elements with modal/spiritual melodies. The result was like nothing else coming out of Haiti or the Haitian exile community in the US at the time. Dark, mystical, lyrical and abstract, with its otherworldly shifting rhythms, Dilijans came off like a Haitian version of Bitches Brew. The album sounds less like a stylish mini-jazz performing in a hotel dancehall than like a cry of ancestors emanating from the spirit world to lament over the complications of modern Haitian society.

** Available exclusively at The Pusher **Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).

Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket. Recorded with Afrika 70 at the height of their power as Fela Kuti’s band, these are seminal recordings in the pantheon of Afrobeat history. Once again, Comet Records has the opportunity to shine a light on the sheer musicality and originality of the humble drumming giant. Tony Allen’s passing in April 2020 sent a shockwave across the world, as fans and collaborators from Lagos to Brooklyn and everywhere in between mourned the loss of a generous and powerful being, the kind of being we thought would live forever. Thankfully, we have the gift of Tony’s timeless music, starting with these four special solo albums, through which his musical voice guides our dancing feet and full hearts forever.Progress showcases Afrika 70 doing what they do best: digging deep and bringing the force, but always with remarkable restraint and swagger, propelled by Tony’s steady hands and feet. The title track, “Progress” starts with a bang and never loses steam - a performance so fierce that it stands alongside Fela’s most powerful anthems. The second track, “Afro Disco Beat” shows Tony Allen at one of his creative peaks. He tells: “What I was saying on Progress was that instead of fighting Fela for money, I was trying to progress and create on my own. Progress is what a hard worker is looking for I had to look it for myself” (Taken from Tony’s autobiography by Michael Veal). Tony Allen possessed magic within him, which he spent his entire life sharing with us through his drumming hands, tapping feet and generous heart. That magic is ever-present and strong on these formative solo albums - they are must-haves for Afrobeat fans across the globe.

Comet Records presents the Tony Allen & Africa 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket.Recorded with Afrika 70 at the height of their power as Fela Kuti’s band, these are seminal recordings in the pantheon of Afrobeat history. Once again, Comet Records has the opportunity to shine a light on the sheer musicality and originality of the humble drumming giant. Tony Allen’s passing in April 2020 sent a shockwave across the world, as fans and collaborators from Lagos to Brooklyn and everywhere in between mourned the loss of a generous and powerful being, the kind of being we thought would live forever. Thankfully, we have the gift of Tony’s timeless music, starting with these four special solo albums, through which his musical voice guides our dancing feet and full hearts forever.Produced by Fela Kuti in 1975, Tony Allen’s first solo album with Afrika 70, Jealousy, is like the man himself: light on its feet yet deeply settled, spacious yet bursting with magical talent. On the title track “Jealousy” Tony is joyously in his element, conducting one of the mightiest bands in the world - he is the head chef, and the band is cooking. The second track, “Hustler” features one of the most iconic solos in drumming history, a rare glimpse into Tony’s gift of musical phrasing - it is possibly the best example of Tony’s ability to literally speak through his beloved drumset. Tony Allen possessed magic within him, which he spent his entire life sharing with us through his drumming hands, tapping feet and generous heart. That magic is ever-present and strong on these formative solo albums - they are must-haves for Afrobeat fans across the globe.

** Available exclusively at The Pusher **Stix Records, a sub-label of Favorite Recordings, proudly presents the long awaited reissue of Version Excursions, first album by The Dynamics. Originally released in 2007 and highly hard to find today, it could be considered as a modern reggae classic. The band composed of Bruno “Patchwork” Hovart (production & programming), Eric “Flab” True (programming) and a vocal trio made of Mr Day, Sandra “Mounam” and Stevie Levi, quickly became famous with a 7inch single series, displaying their unique recipe of covers from classic hits by Madonna, Curtis Mayfield or The White Stripes to name just a few. True to Rocksteady and Reggae’s timeless tradition, everything from Pop, Roots, Disco, Soul & Rock is distilled through their fuzzy hypnotic filters to create amazing cover versions.Originally hailing from the villages of Cameroon, the halls of Harvard, the palaces of Versailles, the boweries of Bristol, or the squares of Provence, it’s then in Lyon that The Dynamics united and created their timeless music, both vintage and fresh. 15 years after its release, the album’s still a real success, with more than 350k listeners on Spotify every month. An achievement easily explained by the quality of the tracks gathered, which also brought the original release to become quite rare years after years, now selling for crazy prices on the second-hand market."Whole Lotta Love" (Led Zeppelin), "Fever" (Peggy Lee), "The Creator Has A Master Plan" (Pharoah Sanders), "Lay Lady Lay" (Bob Dylan), these are only a few of the Rock, Pop, Soul and Jazz most famous hits reimagined by The Dynamics. In addition to the original tracklisting, you'll find on our 2022 remastered edition their cover of "Music" by Madonna, previously only available as 7inch.

Favorite Recordings proudly presents a reissue of the first and eponymous LP by Esperanto, a Venezuelan Jazz-Fusion masterpiece originally released in 1980. This rare and sought-after album recorded in Caracas by talented musicians could be likened to the best of the South American scene with strong Funk & Latin influences. Following the recent reissue of Sacbé, this one is a little wonder and a must-have for anyone interested in Latin Jazz-Funk & Fusion. Fully remastered and available as Gatefold Tip-On Vinyl LP and CD. Like most bands, the story first started as a series of jam sessions. Multi-instrumentist Jorge Aguilar and his drummer Pablo Matarazzo were playing in a band, covering a various number of Latin genres from Merengue to Salsa and playing at parties, even though they were mostly influenced by Jazz or Funk, but also British Rock or Brazilian music. Still, they were dreaming about a real band. Thus, while some of their friends were on vacations in Venezuela during their studies at Music school in Boston and New York, they immediately organized jam sessions. First impros quickly became songs and Pablo and Jorge were finally joined by Roldan Peña, Gustavo Arranguren, Ezequiel Serrano, Marcus Vinicius and Nenè Quintero. With the help of a friend, they recorded songs and brought those tracks to radio stations. Without realizing it, the group gained a certain notoriety in Caracas and began to give shows that became quite famous. Sometimes, they had to play two times in the same night with people still waiting outside! With the money earned, they kept recording their songs but now in a quite better studio. The album was taking its final shape, with an exciting blend of Funk, Fusion and Jazz-Rock elements, all mixed with Latin music influences. With an extensive use of synthesizers, the tracks sounded like a fresh wind blowing over the city of Caracas. After bringing a few friends to record their parts, the album was then offered to CBS for distribution – some of their executives had just become fans after experiencing one of their amazing gigs! But in exchange, they also had to record two more commercial songs, a cover of "Ticket To Ride" by The Beatles, and “Vereda Tropical", a classic in the Latin market. Jorge reminds: "The rest of the songs were compositions by myself and by other members of the band. The album was recorded in its entirety almost live, that is, all of us playing together and without many overdubs because we did not have many tracks nor money to pay studio time. Certainly, we were one of the bands that started the Fusion jazz movement in Venezuela and the most recognized because we managed to be played a lot on the radios and we filled the largest number of concerts as well as obtained the largest number of sales". The band kept recording other albums, notably with Warner Bros after the label was again really impressed by their opening show for Peter Frampton Comes Alive Tour one night in Caracas. Jorge adds: "Today if you ask people around 60 years old in Venezuela about a Fusion group, they will tell you that Esperanto is the band they remember! I think the most significant thing about the Esperanto band is that it was quite naïve since we were all in our early 20s and we did everything just for the pleasure of playing without thinking about the economic aspects of the industry".

NEVER RELEASED BEFORETransversales Disques proudly presents Archie Shepp – Live In Paris (1974), a never released before ORTF recording performed live at Studio 104, Maison de la Radio (Paris), remastered from the original tapes.The musicians at the recording session were Archie Shepp (Saxophone), Noël McGhie (drums), Bob Reid (Double Bass), Pablo Kino (Percussion) ans Siegfried Kessler (Piano).These exclusive recordings will be available as Deluxe Gatefold Tip-On Vinyl LP.

Stix Records is a sub-division of Favorite Recordings specialized in the exercise of producing covers with a Reggae twist. Following the success of its first volume, the Disco Reggae series also expands with this 9 tracks compilation, composed with 8 new and exclusive versions by artists such as Taggy Matcher, 7 Samuraï, Mato, or John Milk, and the classic cover of “Tainted Love” by Grandmagneto. But this time, if they still explore famous hits like “Watermelon Man” by Herbie Hancock or “Happy” by Pharrell Williams, they also dug within the home labels’ catalog, taking over some of the finest titles by Mr Day, Lee McDonald, Lucas Arruda or The Joubert Singers. Again this time, their swaying renditions seem straight out of the smoky studios from Kingston or Montego Bay, while also remembering the 80s Pop-Reggae sound of artists like Grace Jones or the less famous Earons. Everything is mastered and cut at Carvery Records (UK), known for their expertise in Caribbean and Disco music.

Ready for an adventure running parallel to their lives in common units, the quartet boarded a starship to set off on an astral expedition. The mission began perfectly, according to plan. From the very first measures, the travellers were released from the Earth's gravity. Very quickly, their home planet appeared tiny and distant, before disappearing completely. Comets and novae lit the way through the fathomless depths of interstellar space. Their preliminary, in-depth studies of seventies jazz-funk were a great source of inspiration. Very early on, they knew that this sonic esthetic would allow them to travel even farther, navigating only with organic instruments and no digital backing or enhancements.Commander Virgile Raffaëlli's bass lines guided their journey, offering a calm, yet vibrant foundation for the smoother phases and turning up the power to bring them through turbulence and meteor showers safe and sound. Like a compass, the bass indicated the direction and traced a groove that the loyal, valued crew could follow as their travels continued. Mathieu Edouard's drums solidly locked down the rhythm to avoid any sudden jolts, working in tandem with Erwan Loeffel's jet-propelled percussion. On the keyboards, Florian Pellissier drew harmonies and riffs from the synthesizers and electric pianos to oil the machinery and lighten the load when the ensemble needed to rise a few feet. The crew's almost telepathic cohesion was key to their success, allowing them to express interior emotions with just a few notes.Here is the last transmission we received:"We have landed on an unknown planet and are depressurizing the airlock with help from subtle horns and ethereal choruses so we can discover the new horizon. It definitely meets our expectations! The desert before us holds the promise of new life. The warm yet fresh air is easy to breathe. A vague psychedelic scent floats through the atmosphere, as if ready to spring from the first flower to bloom. Dreamlike, mysterious, enigmatic yet familiar, we will call it Aldorande."

Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a four-on-the-floor climax!And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.

Montenegrin born in Istanbul, precocious pianist growing up in an embassy, brilliant musician. Prolific composer speaking eight languages, he arranged music for jazz, pop music, adopting multiple identities.For one label, he is Andy Loore; for another, Emiliano Orti. For others, he is called Alan Blackwell or Johnny Montevideo, but behind all these aliases, there is only one man: Janko Nilovic. Exploring the shelves of musical production, venturing into the less-illuminated corners of library music, Janko Nilovic's name lights up dozens of shelves on which his soundtracks, his records for Editions Neuilly or Sforzando, but above all his twenty albums for Editions Montparnasse, are stored. A considerable and imposing work, rich in orchestrations of keyboards, strings and brass instruments, themes, atmospheres and melodies. A repertoire in which the cinema, television and advertising have come to find their delight ... Subjected to the sharp blades of samplers, reduced to a few effective seconds, joined with rhythmic beats, some of his tracks have infiltrated hip hop for a long time , leading the most curious to go back to the source to get the complete albums from which the precious loops had been taken. Almost unknown to the general public, Janko Nilovic is a master for the initiated, whether they are at his side in the studio or comfortably seated in their armchair savouring the final result on their turntable. His discretion combined with his long years of silence on the record could lead one to believe that he had cleverly arranged his disappearance from the radar to make Janko Nilovic a mystery that has never been completely solved. Until this message from The Soul Surfers.A few miles away, in their studio fired up by analog funk, the Muscovites had been put back on the Nilovic track by multi-instrumentalist Shawn Lee. A few passionate discussions later, and the desire for a joint album was already lighting up the amps, making the bass strings shiver and the drum skins tighten. Initiated by the coming and going of scores, the collaboration finally continued in studio for a real exchange, instantly bouncing off proposals, developing ideas in a live group dynamic that distance would have made impossible. To feel the vibrations accumulated for decades at the CBE studio (like Chatelain Bisson Estardy), a mythical place founded in 1966, in which many albums, especially library, were immortalized. A place where consoles, equipment and instruments were kept as they were, accumulating in their wiring, meters and speakers, endless hours of experimentation and recording. A place that Janko knew well and where an old acquaintance was waiting for him. A Hammond organ with a Leslie booth whose keys he had already flattered in the past and behind which an improvisation and a single take were enough to complete the eponymous title. Together, Janko Nilovic and The Soul Surfers have built Maze Of Sounds, a musical labyrinth paved by the master's keyboards where the soul-funk groove of the fiery Russians is the listener's thread, his point of reference in this maze of atmospheres and emotions, at once cinematic, nostalgic, dancing, dreamlike and contemplative.An album where, however, nothing is compartmentalized. Where, blown by the whirlwind strung by a violin quintet, the barriers move preparing the entrance of a Slavic choir, letting a screaming guitar come and go alongside the crystalline liveliness of the Fender Rhodes, organize some rhythmic aerations at the disposal of the samplers.A fusion between the cleverly blackened scores, between the science of precisely written arrangements and the soul-funk feel of The Soul Surfers. An album such as Janko Nilovic has been dreaming of making for years.

The newly discovered and unreleased concert from 1975 recorded by the Philip Glass Sextet at La Maison de la Radio, Paris. The sextet is composed of Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck. Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP. Also included a very rare Philip Glass interview from 1974 in his NYC loft during the rehearsals of this piece, produced for the French radio by Daniel Caux - musicologist and co-founder of Shandar Records. A never before released –Philip GLASS (1975) live recordings, released in partnership with the National Audiovisual Institute – INA. "A new sound and a new chord suddenly break in, with an effect as if one wall of a room has suddenly disappeared, to reveal a completely new view." - A. Porter

Stix Records is a sub-division of Favorite Recordings, recently launched with a first official single by Taggy Matcher Birdy & Nixon (STIX033), who pleased us with two Reggae-Rocksteady renditions of the famous Black Keys.Precisely specialized in the exercise of producing covers with a Reggae twist, the new label presents his first album entitled "Disco Reggae". Many artists faithful to the stable of Favorite Recordings and its various sub-labels are invited for the occasion: The Dynamics, Blundetto, Grandmagneto, 7 Samurai, John Milk or Taggy Matcher. All came and brought their respective touch to this first compilation, with among other things some of the rarest titles from their Big Single Records’ years, but also 4 new and exclusive productions.Each of them delivers a great Disco-Reggae version of classic hits by some artists as diverse as Madonna, Herbie Hancock, Justin Timberlake, The Commodores, The O'Jays, Curtis Mayfield, Harry Nilsson or Sugarhill Gang. Whatever the genre or the period, nothing can resist their inventiveness and creativity, to the point sometimes we confuse between originals and covers. Everything is remastered and cut at Carvery Records (UK), known for their expertise in Caribbean and Disco music.

Favorite Recordings presents an exclusive reissue of the first private press eponymous LP by Sacbé, a Mexican Jazz Fusion masterpiece from 1977. Unique and beautifuly recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve, remastered by The Carvery.Sacbé was composed of Eugenio (keyboards), Enrique (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city. Growing up in a family of musicians, they quickly became familiar with jazz music. However they were mostly self-taught, most of them choosing at first to work and study outside the music industry, but somehow, Eugenio had the opportunity to start studies at the Berklee Music University. Before leaving, he deeply wanted to play jazz with his brothers. That’s how Sacbé was created on a hot day of October 1976. The band then built step by step a challenging repertoire including Chick Corea, Herbie Hancock, Weather Report, Milton Nascimento, Focus, Passport, and many more… Gradually, Eugenio started to compose more tracks, and through a cooperative work of arrangement, Sacbé ended up playing only their own compositions. That was not an easy choice for the band, resulting in a lot less opportunities to play in bars and clubs at night, while they were cumulating small jobs during daytime. But their dedication, tightness and integrity started to attract a wider audience thanks to their sessions at the Musicafé, and helped Sacbé to assert its imprint within Mexico’s creative artistic circles. A group of artists with similar attitudes was created and they began working almost as a team, holding live shows, exhibitions, and dance performances, all with a very unique and creative proposal. It’s at this period that the band met Luis Gil, a young designer and recording engineer, who had access to one of the best studio of the city called LAGAB. Recording at nights and weekends for free, the Toussaint brothers had therefore the chance to really put their band quite literally under the microscope. With tenacity, they explored all the possibilities of interpretations, structures and improvisations, collaborating with great musicians and finding themselves in the position of being their own producers, despite being only around 20 years old! This album is the result of this perfectionism ethics, shared by everyone involved. “Sacbé” means white road in the Mayan culture, it was the name for the roads connecting the main ceremonial centers with the jungle, made of roughly three feet of coral limestone. They were sacred roads used by high priests and warriors, which echoed the musical path of the three brothers. Putting the pieces together, they managed to create their own label and pressed 1000 copies of their reunited recordings in 1977. The artwork was paint by Enrique, inspired by the work of Le Douanier Rousseau and the Mayan jungle. Hopefully the LP met some success in Mexico and California, opening many radio and TV doors for them. It was the starting point for a whole career of recordings, with a total of seven albums including various guests.

After Nu Guinea’s LP, Nuova Napoli, and Napoli Segreta first compilation, NG RECORDS follows up with an exploration into the unknown groovy side of Naples by releasing Napoli Segreta Vol.2.Famiglia Discocristiana, DNApoli and Nu Guinea team up again selecting more tracks from their archives, for a new compilation containing 9 mysterious Neapolitan tracks, found in the most hidden corners of remote flea markets around the Vesuvius.But forget classical Neapolitan songs, "'O Sole Mio" or "Luna Rossa"... Forget about what you expect to find once you land in town… oh and also forget about Google maps. Take a dodgy local guide, keep your eyes open, and follow it to enter the secret downtown, the underground, the routes that no satellite can detect, but beware there is no easy way out. Napoli Segreta Vol.2 is a musical journey into the sonic landscapes of Naples that you have never heard of before. A variety of genres merging soul, disco, funk, blues, new wave, afro-beat and boogie, including lyrics in Neapolitan urban slang, instrumental tracks with progressive flavour, and also some unexpected covers!

In the beginning of the 1970’s, Guinea-Bissau was a country broken up into many ethnic groups and at the heart of a war for independence. By reviving traditional musical genres as Gumbé and singing in guinean Kriol, José Carlos Schwarz & Cobiana Djazz established an immediate affective bond with their audiences. Through its music and politically engaged spirit of the lyrics, the band played a significant role in shaping the social and political consciousness of the masses. As well as influencing local bands like Super Mama Djombo and giving back a deep sense of cultural identity to bissau-guineans.The explosive birth of Cobiana Djazz brought about other kinds of detonation. Schwarz became involved in urban guerilla activities which resulted in several bombings in the centre of Bissau, leading to his imprisonment and torture. He remained in lockup for a total period of about 2 years, between 1972 and 1974. The process of decolonisation, in the wake of the Portuguese revolution of 25 April 1974, led to the recognition, during the same year, of the sovereign nation of Guinea-Bissau. Schwarz, a key figure in the fight for independence, played an important part in the transition to the democratic regime, profiting from his popularity as an artist. Soon, his criticism (underscoring opportunism and irresponsibility in high places) became a thorn in the side of the political elite. Uneasy with the disquieting effects of his work, government officials effectively separated the author from the masses by assigning him to the embassy in Havana.José Carlos Schwarz met a tragic and untimely death at the age of 27, when his plane crashed on arrival at Cuba's José Martí International Airport, on May 271th 1977.Hailed by african giants like Orchestra Baobab, Letta Mbulu or Miriam Makeba (with whom he recorded his first and only solo album), “Zé Carlos” and his poetry won a lasting position in the annals of Guinea-Bissau. However, this collection of songs remains relatively unknown outside the country and its diasporas.We are proud to offer, in close collaboration with the Schwarz family, this first official reissue on vinyl. Remastered and pressed on heavyweight vinyl.

Farfalla Records presents a reissue of Jungle Obsession by Nino Nardini & Roger Roger. On this LP, they present their own musical vision of The Jungle Book. This offficial reissue of this classic library album comes as a 50th anniversary edition on 180 grams vinyl with two bonus tracks. Jungle Obsession is one of the true masterpieces of Pop Exotica. Includes "Safari Park" and "Tropical" that have been sampled by Madlib and Danger Mouse.Special edition on transparent green vinyl with printed innersleeve featuring an artwork by Fräneck and a complete review by Björn Werkmann

** Available exclusively at The Pusher **Swimming is the first release on Periodica International, and finds Daniel Monaco collaborating with MC Matsui for two tracks of oceanic esoterica, wherein grooves of spaced-out disco and Mediterranean funk meet textures of early electro and hip-hop. Skeletal dancefloor drums anchor flamboyant basslines as they work between liquid smoothness and a staccato pulse, cosmic keyboard accents melt down like starlight, and synth leads snake through solos of alien baroque and Arabian exotica while palm-muting guitars and tropical mallet flourishes add further colourations. And guiding the grooves are the lysergic musings, spoken word serenades, and proto-rap poetics of MC Matsui, who comes off like a stoned mystic wandering the beach as turtles and dolphins call him out to sea. (Words by Braden Balentine - The Sun Lounge).

Blue curaçao, gin, triple sec, ice and a lemon zest. A cocktail with out-of-the-ordinary gradations is a prerogative of the Grand Hotel. Suggestive, Exclusive and luxurious.If your dream is to spend a perfect weekend that offers you more than just sun and relaxation the most suitable solution for you is this fantastic establishment located just a few kilometres from the Tyrrhenian Sea.Its splendid swimming pool is positioned on a terrace that offers an incredible and beautiful coastal panorama, a permanent agora from June to September where love flourishes and dies. The lapping of the placid waters is hypnotic, a sparkling sound that mingles with the ticking of the empty cups of Angelo Azzurro while easy listening music is played in the background. I Coccodrilli are the main band, they entertain the audience with a mix of positivity in their funky notes during those times when the jukebox’s on pause and it stops marking the passing of the hours. Sabato Italiano is their latest hit and it’s now available on 7”.Bikinis, the dancing and the kisses. The endless season of youth.

Comet presents the reissue of Black Voices (1999), featuring remastered versions and “Ariya (Psyche Juju Mix)” as bonus track, which was not part of the original release.Tony Allen completely rewrote the books on what was possible within the AfroBeat genre with his stunning 1999 album, Black Voices. When one considers exactly "what" is going on throughout Black Voices, it is quite mind boggling, as it is almost impossible to associate a minimalist, electronic feel with the massive walls of sound which Allen was known to create. Yet these walls of sound are still very present, yet they gain an entirely new feel due to the presence of the producer, Doctor L. He takes the mesmerizing rhythms that Allen creates and he spins them into a stunningly modern sound. While Doctor L's production work throughout Black Voices is truly fantastic, it is clear that the genius behind the album lies within the mind of Tony Allen. With the absolutely mesmerizing, funky grooves that Allen creates, it comes a little surprise that the vocal collaborations are handled by members of one of the funkiest bands in history: Parliament-Funkadelic.For almost two decades, Black Voices has remained a stunning example of the fantastic results that can occur when seemingly unrelated genres clash.

Over 25 years of digging, and more than 2 years in curation. Nick V’s debut compilation pays homage to forgotten gems of the classic Italian House scene, circa 1991-1993.In the early 1990s, Italy hosted one of the most flourishing scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast – also known as the Italian Riviera –were full every weekend. The soundtrack was provided by the major US and UK acts from the day but also local resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, Zippy, D-Vision, MBG, Flying, Palmares, DFC and Irma releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. Distinct from both Italo-Disco and Italo-House, this was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack of the golden era of Italian House music.Nick V’s compilation on Mona Musique brings together 8 iconic tracks from this specific period, covering the whole spectrum of the riviera sound. From the powerful vocal tracks by Korda and Be Noir to the dubbier cuts by Syncopate and Underground Ghosts, without forgetting of course the characteristic Riviera deepness with tracks from Subway Ground Master, Centric House, Groove Sense and Optik. Artists featured include legendary DJs and producers from the day Ricky Montanari, Alex Neri, Enrico Mantini, MBG and Ivan Iacobucci. The compilation comes in a double gatefold sleeve with liner notes by Nick V illustrated by flyers and photos from the original Riviera days. This is a DJ friendly 45 RPM vinyl only release, all tracks have been remastered with the sound staying true to the dynamics of early 90s production.

Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977.The album contains two nicely dramatic tracks:“Look Up in the sky (Negro nature)” is a stretched funk groove with psyche synth by Michel Morose, bubbling bassline by the great Victor Edimo, the famous Toto Guillaume on guitar, and a brilliant poetic song by Francis The Great, who at that time studied in Menilmontant (Paris).“Ravissante Baby (Negro Phasing)” is a long hypnotic funky soukous track with a tremendous lead guitar and a long spoken-word and soulful kid vocal about the beauty of nature.Originally produced by his father, a great impresario of African artists in Paris during the 70s, and coordinated by his mother, this album is unique, fresh and out of genre in a way! It’s universal Funk! Hot Casa Records is proud to reissue this holy grail after years of researches! It comes out in a deluxe LP including interview, and officially licensed with Francis Mbarga himself, in Yaounde (Cameroon).

Since the release of his 2 first albums on Favorite Recordings, Lucas Arruda has quickly established himself as one of the most talented young artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.In spring 2015, it was also not surprising to find Lucas Arruda back with a new LP called Solar, receiving great supports and feedbacks from international media and tastemakers. One of the highlight of the album was the song “Melt the Night”, on which Lucas teamed up with legendary producer Leon Ware, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil.Today Favorite Recordings proudly present Onda Nova, new and third album by Lucas Arruda. Mostly written, composed and arranged by himself, Lucas however teams up on a few tracks with his old mate Fabricio di Monaco (Modo Solar), his brother and musical partner Thiago Arruda, who recently joined Ed Motta’s live band, or Gaël Benyamin, also known as Geyster, who brings his longtime “savoir-faire” and skills for writing and composing AOR and WestCoast music genre, and who share this deep passion with Lucas.Onda Nova is therefore pursuing the music direction set with Solar, mixing touch of Blue-Eyed-Soul, Pop, Soul and Brazilian styles together, and influenced by the path of legendary Brazilian producer Lincoln Olivetti, who recorded some of the biggest stars of Brazilian music (Marcos Valle, Jorge Ben, Tim Maia…).In Lucas words: “In this record I really wanted to honor Robson Jorge & Lincoln Olivetti. They are the main influence on this record. We recorded the basic tracks for the album in the same studio that Lincoln Olivetti did his last works. So, this was very important to capture the true essence of Brazilian Funk/AOR tradition. Hope you guys enjoy it!”

Transversales Disques presents for the first time on LP, François de Roubaix’s full score for the French TV series Les Secrets de la Mer Rouge, an adaptation of the epic travel, through the Middle East, of the famous writer and explorer Henri de Monfreid. This album is a collection of the original (1967) themes and those recorded later in 1975 when the TV series was continued.In the 1967 soundtrack, de Roubaix uses various flutes, marine conches, and for underwater views, unexpected instruments such as a celesta or a crystal xylophone. By 1975, electronic technology had dramatically developed and this evolution is clearly apparent when one listens to the recordings of the two seasons. For the later 1975 series, de Roubaix composed a new music score, mixing old and new sounds, a great combination of EMS VCS3 synthesizer subtly mixed with acoustic instruments.For François de Roubaix, there was never a border between fiction, life and music, and writing music for Les secrets de la Mer Rouge was an extension of his love of the open sea.

Following successful projects such as Metropolitan Jazz Affair, The Dynamics and Mr. President, Bruno “Patchworks” Hovart originally released the Uptown Funk Empire’s album in 2009. Now sold-out for quite a while and still on demand, The Empire Strikes Back is finally reissued.Bruno Hovart, as a self-taught musician and typical teenager, started playing guitar, bass and keyboards at age 15, covering James Brown, Jimi Hendrix and Cream in his bedroom and, later in college bands. His first releases are in the mid-90s, with deep-house and disco live bands and various electronic projects. He quickly develops and shows very special skills for vintage Disco/Funk productions with a contemporary flavor. This gifted boy’s been working with artists such as Amp Fiddler, Archie Shepp, Mr Day, Paul Randolph... and for many recording labels such as I Still Music (US), Favorite Recordings (FR), Infracom (DE), Further Out (UK)...Uptown Funk Empire is an exciting and ambitious project, worthy of its name. It’s like being back to the better days of Funk without a travel machine... the vibe is vintage but the sound is fresh... This album is huge and it covers all styles of the Groove music golden age: Boogaloo, Soul, Disco, Boogie, Funk... With brilliant vocal by silky Juan Rozoff, Brit-Soul legend Noel McKoy at his best, high-voltage divas Ange & Janice... and Bruno himself on the mic... it’s pure funkiness! Beware, The Empire Strikes Back and is kicking... so get up & dance!

Favorite Recordings proudly presents this new official single reissue of “Feel So Good Inside”, by Lamar Thomas. A killer deep-disco and very rare collectable single, fully coordinated for reissue by French respected DJ and Tropical rare-groove specialist, Waxist Selecta.Lamar Thomas is an American singer, composer and producer who made a short solo career in the 70s, and then formed the duo Thomas & Taylor. He has also penned few songs for Johnny Bristol, Garland Green, Nancy Wilson, Maynard Ferguson, or Johnnie Taylor among others.In 1980, he recorded this 2 tracks single for MCA Records, who released it on a 7inch left almost unnoticed at that time. 30 years later, this brilliant disco production has become a classic rare-groove title for a few DJs and diggers, with among them, French collector and DJ, Waxist Selecta (aKa Julien Minarro). Schooled about this rarity by DJ Klas (aKa Josh Goldman), he then made it a real favorite in his various DJ sets. Curious to learn more about this forgotten piece, he also liaised with Lamar through the web, and discovered that all the masters had burned in a California fire at Universal.As Julien already worked on an upcoming reissue project with Pascal Rioux and Favorite Recordings (more details in 2015), he offered him and Lamar to arrange a proper official reissue and produce a new master from his own vinyl copy. Coming out in a 12inch version built for dancefloors, the package also includes a great extended mix by Waxist.

Favorite Recordings and Charles Maurice proudly present the 4th edition of the AOR Global Sounds compilations series: 14 rare and hidden tracks, produced between 1977 and 1986 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 4th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors.Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, but the other half is made of productions from all over the globe, from France, Belgium, Italy, to Mexico. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.As an example, “Come Back” is the result of a music talent competition won by a student band named Parenthèse, gaining a full recording session in a professional studio and the production of a limited promotional 7inch vinyl, which still completely obscure til now. “Mellow Out” comes from the only album by Pacific Dreams, which was fully self-produced and released by its leader Tommy Sweet. Fernando Toussaint, however having quite a solid career and discography as a drummer and with his brother forming the Mexican Jazz-Funk band Sacbé, had solely one solo album released in very limited quantities on Discos Alebrije, a label directed by Alain Derbez. As for “Never Was Love” by Russ Long, despite becoming quite famous when recorded and sang by Judy Roberts, it’s still surprisingly undiscovered in its original version, taken from Russ’ beautiful album from 1982, Long On Jazz In Kansas City.And we could detail stories like this for each of the titles included in AOR Global Sounds Vol.4, but our guessing is the best way to learn more about all these gems is to listen to it, fully remastered from originals, and whether your preference is for vinyl or CD formats.

Starting 2020 on high wheels, Parisian crew Discomatin picked an ultimate banger of the 80’s boogie era, Laying On The Sofa by French diva Isabelle Antena. Rare and expensive, the original 12inch here remastered for full effect offers two extended versions/remixes by Belgian electro and jazz-funk hero Marc Moulin and by American producer and DJ Mark Kamins. With her amazing voice and beautiful compositions/productions, Isabelle signed on this release two of her many great songs. « Laying On the Sofa » is a Sade-esque song with a lot of rich harmonies sublimated by the strong rhythms of the 808. This Mark Kamins remix brings the song to its climax with kind of an housy extension with its strong synths and guitars parts before it goes back to the chorus for an epic ending. Back in the days, NY DJ Mark Kamins brought Isabelle to the famous Danceteria to perform. At the same time, he was recording some of the first demos of Madonna… Do you feel the vibe? « La Tête Contre Les Murs » with his « anti-system » feeling in the lyrics is the other beauty on the EP. Remixed here by Telex member and jazz-funk don Marc Moulin, who became later the father of Isabelle Antena via her husband, the song written by her and her mother describes an old but still fresh feeling. Disillusioned, in loss of marks, with no directions: the words don’t miss to describe the youth and its feeling towards society. Maybe, this is why « you’re crashing your head on the walls » as Isabelle sings. Maybe it’s people trying to educate them in relation with certain norms who are in the end « maybe what the danger is ». With her classical and so French casualness surrounded by syncopated rhythms, Isabelle transforms this timeless topic to a song dedicated to all generations going through times of wanderings. You may know Isabelle Antena other’s work like her French-Belgian synth-pop trio Antena which led later to her another band Powaga Sisters. Combining minimal electro, pop and samba styles, Camino Del Sol was one of her greatest albums. As a solo artist, she’s found particular success in Japan with samba-inflected nu-jazz and electro-pop compositions. Still, with her own words, this EP « means a lot » to her. Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from French artist Camille de Cussac.

Lock yourself into the beat, but don’t become prisoner to it. The techno pioneer Jeff Mills understands that only too well. In his quest to liberate himself from the tyranny of the sequencer, Mills couldn’t wish for a better partner than the father of Afrobeat. Many consider Tony Allen to be one of the greatest drummers alive. In the last thirty years, his signature mix of Nigerian roots, polyglot jazz and no-fuss funkiness has spread like a virus, infecting the work of artists as diverse as Damon Albarn, Charlotte Gainsbourg and Moritz Oswald. Jeff Mills is a titan of the electronic dance scene and a tireless innovator, who helped to give birth to the 1980s Detroit techno scene before going on to compose electro symphonies, soundtracks and sonic odysseys inspired by futurism and space travel, working with visual artists, choreographers, classical orchestras, even astronauts. His collaboration with Tony Allen is another rhythmic conversation in a long and well-established discourse, but a special one too: “It really is a pure collaboration, not just through music, but in our minds and spirit as well.” The same goes for Tony Allen. He has already collaborated with quite a few electro artists during his long career but this is something else. “The difference is that Jeff can play with me, whereas the others cannot play with me. I can only play with them, but they cannot play with me…yunastan?” The pair first shared a stage in December 2016, at the New Morning in Paris. Their live shows have become a rhythm summit without equal, a chance to witness two of the world’s most innovative beat-makers, supplemented by the Moogs and synths of Jean-Philippe Dary, fusing past and future into an intense, seamless present where digital and analogue, jazz and electro, Africa and America, the source and the delta, become one. In some ways Allen and Mills have already fashioned their own sovereign self-designed state, one where improvisation, creativity and instinct reign. It’s rooted in Africa, yes, but like the music of Art Blakey, it goes beyond Africa, beyond America, beyond the force-fields of history and the structures of technology. That’s all the excitement - to get on board with two of the world greatest living masters of rhythm, set the controls for the heart of their spinning world, and boldly go into the unknown.

Brazilian Disco Boogie Sound is a compilation that brings together nine of the most important and obscure hits of the Brazilian Funk-Boogie-Disco scene during the years of 1978 to 1982. Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks.

After Janko Nilovic and Harlem Pop Trotters, Underdog Records has now reissued Martial Solal - Locomotion in a colored vinyl edition. This grooviest French jazz-funk and avant-garde album features Henri Texier and Bernard Lubat, and was originally released in 1974 on the PSI label. A masterpiece!

The Afro-Funk side of the Latin Soul maestro!Born in Gao (Mali), Boncana Maïga is one of the most talented and popular producer of West-African music since the 60's. He studied flute and Latin arrangements in Cuba during the 60's and founded the famous “Les Maravillas du Mali” in 1968.He became orchestra leader for the national Ivorian TV in Abidjan in the mid-seventies, and toured all over the world with the famous Africando band. During his recording sessions in NYC at the beginning of the 80's with a lot of “Latin musicians” from Puerto Rico, Venezuela or Colombia, Boncana Maïga also recorded few rare Funky tracks with heavy breaks! With the artist, we decided to reissue four rare tracks from 1978 to 1982 dedicated to dancefloor, including a really rare soundtrack for the oil company of Ivory Coast called “Petroci”.In 2018, he'll be back on tour with “Les Maravillas du Mali”, still have a weekly TV show on TV5 Monde and with this reissue will continue to warm your Afro-Funk parties!Fully licensed, 12inch vinyl (45 RPM) including interview. Remastered by The Carvery!

Sometimes there’s a huge talent out there and you desperately want the whole universe to discover it. That’s pretty much the story of Parisian label Chuwanaga with young French artist Koji Ono, composer and producer of these four precisely crafted gems, recording everything by himself. Brilliantly mixed by Greita from Disques Flegon, his first EP Incognito is the product of a lot of influences, from Metro Area vibes to the original Britfunk sound. With an inner sense of elegance in the arrangements - something we may link to his Japanese heritage? - The whole EP brings musicality back on the dancefloor. We believe this could be the beginning of a great story for this talented musician, Koji Ono emerging from the incognito shadow to the whole light of the world. Don’t miss out!

Paint A Picture are incredibly pleased to announce news of their first release: a fully remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and privately released on his Star Records back in 1981. With the original record now changing hands for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an insert providing further details and context on the release.Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from a lack of marketing and proper distribution but almost forty years later the record is now receiving the attention it deserves and with a price tag to match. The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth vocals and climaxing in a guitar and saxophone duel.The instrumental Version Two provides a fresh approach with the addition of dub FX and Indian percussion with the use of a tabla added to the mix.

Pursuing their explorations in the vast corridors of international Funk and Disco music, Favorite Recordings and Bruno "Patchworks" Hovart present us Voilaaa. With this first single composed of 2 tracks that clearly reveal the Afro-Disco inspiration of this new experience, Favorite also expands its new series of Disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe.Under the imprint of the label and after their long years of collaboration in the achievement of projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences.Indeed, as everywhere in the 70s and 80s, Funk and Disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, sounds like a perfect balance. Aiming to find back this energy and specific sound, Patchworks quickly began producing a few tracks; Using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and DIY effects pedals and boxes. Surrounded by a very dynamic music scene, where there is no shortage of artists with African origins, Patchworks decided to work with local singers, even if it means to accompany them on unusual musical paths. A more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside Sir Jean and Pat Kalla, both from a musical background as rich than different.With an album planned for the end of the year, that promises to be as explosive and magnetic, Patchworks and Favorite Recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors’ loyalty, to the spirit of their mythical ancestors ... Voilaaa tout (Thaaat’s all)!!

Peter Hunnigale aka Mr Honeyvibes was born in South London on December 12th, 1960. Peter Hunnigale was to develop into one of Britain's most formidable reggae ‘Lovers Rock’ artist of our time. It was clear at a tender age Peter's main interest was in music and being born of Jamaican parentage, he was exposed and influenced by music of West Indian culture.Untamed Love is an UFO in Peter Hunnigale’s career, recorded at Omega studio (London) and originally released on the Cosmic label in 1986. Some people have no words to describe it. You can call it brit-boogie, rare funk, sick jam, musical bomb, or god jam, whatever it’s a typical mid 80's tune with a rhythmic background sound that is captivating and memorable, thanks to heavyweight synth and awesome vocals. The original 12’’ vinyl record is still very hard to find and expensive nowadays. If you are about to discover this song, make sure you are sit down when you listen to it because this song will blow you down “hey girl I like the way you smile”.Growing up in Britain meant that Peter Hunnigale was also open to other genres of music and with seeing the popular acts of the day perform on television and hearing the songs on the radio Peter knew what he wanted to be. Peter is also a great musician and did live work with reggae legends such as The Chosen Few, The Pioneers, B.B. Seaton and many others, while earning the respect of their peers as a competent bassist and qualified engineer. He won a Best Newcomer award at the Celebrity Awards in 1987, and won Best British Reggae Album at the British Reggae Industry Awards the same year.

New single by legendary Brazilian singer DI MELO, 40 years after his classic self-titled Samba-Soul LP. Performed and produced by French brilliant combo COTONETE, this single and collaboration will be followed by a full album early 2019.Florian Pelissier speaks about the project: “On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta or Ed Motta... but Rafaela Prestes our Brazilian "sound ingineer/genious" told me: "I worked for the return of Di Melo in Rio 2 years ago. He rocks, he’s adorable and he lives in Sao Paulo, here’s his number, he would be perfect for Cotonete."No sooner said than done. I'm a huge fan of Di Melo and had already tried to contact him for Cotonete 6 years ago. The next day, on a Sunday, he arrives at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us in the kitchen, and gives us a private show of 3 hours… we cried the tears of joy.He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for 2 days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. All with the participation of Gabi, his 10-year-old daughter, and future star.This album is the summary of this moment, of these 5 days of madness spent together between “the best band in the world” and the legend Roberto Di Melo… Simple, beautiful, Brazilian-French, human music…”

SOL DISCOS is extremely happy to introduce the second volume of their Message In Our Music compilation series, selected by WAXIST. This album is the result of more than two years of work in researching the original recordings, the artists involved & licensing the different songs. Focusing once again on the Modern-Soul genre, the album brings back to light eight extremely rare songs from the mid-70's to the mid-80's, all officially licensed. From the heavy synth Gospel Boogie of Sharnell Morton's "You Are My Shining Star", to the magnificent Network & Co private Disco "Spirit Of The Boogie", most of these songs are highly difficult to find on their original format, not to mention at a decent price. Direct Connect Shun’s "He's No Good" records have been destroyed in a flood, and the few copies which have sold on the Internet reach the 3 figures price tags for example. Also, the album is proud to introduce to a wider audience some lesser known but exceptional recordings such as Janice "Nikki" Harrison's "Magic of Love", which is taken from a Broadway musical produced & composed by Ted Wortham - who also composed for Philadelphia International Recordings artists such as Teddy Pendergrass, Anthony White or Jean Carn. Message In Our Music Vol.2 has been fully remastered, and features interview based liner notes, along with never seen before pictures of the artists selected.

Sought-after eponymous Indonesian album by the Yanti Bersaudara (which means the Yanti sisters: Yani, Tina & Lin Hardjakusumah), released in 1971 and reissued for the first time. It is a very spiritual and magical Sunda album with haunting vibes based on a unique, creative and strong Sundanese cultural heritage. Active only for less than a decade (from the 1960s until the early 1970s), the three sisters originally from Bandung (West Java) sang traditional Sundanese songs with beautiful voices & harmonies, creating a trippy oriental exotic psychedelic sound.

Favorite Recordings presents this new single reissue released by SOL Discos, a new sub-label launched as a partnership between Pascal Rioux and DJ Waxist. Following their recent collaboration on projects like Lamar Thomas’ single and Caribbean Disco Boogie Sounds’ compilation reissues, Favorite Recordings offered the French DJ to become the coordinator and A&R of a new imprint aiming to reissue rare and forgotten music with a Tropical and Disco flavor: “Sunshine Music”…Today, SOL Discos is delighted to introduce its very first release, with this official 7" reissue of Hiram & Direct. Initially recorded and released in Detroit (Michigan), it has been a hard to find record since then, with only a little number of known copies floating around and changing hands within the Soul collectors / DJ scene.Musically speaking, the reissue has been switching tracks sides from the original release, putting the focus on “Love Flight” as the A side. Indeed, “Love Flight” has some strong dancefloor potential for any DJ into underground Disco & Modern Soul. Just listen to those synths! On the B side, you will find a different vibe with “Turn It Around”, an excellent ballad with beautiful vocals & harmonies. In the end, both tracks have nothing to envy to some of the best Soul classics.It’s with great pleasure and honors that SOL Discos and Waxist make this little known gem more accessible to today's music’ enthusiasts, through this legit reissue!

“You don’t need to be a fan of Gwoka or even Antillean music in general to fall in love with the deep, expressive voices of the singers of the genre. Artists like COSACK, ANZALA and ESNARD BOISDUR have fascinated music lovers around the globe for decades. It’s not only the drumming style accompanied by their beautiful melodic intonation, but also the revolutionary spirit of these songs that make them a unique and powerful document of the culture and the history of the Antilles and the Caribbean.I remember the first time I listened to this type of drumming and signing, live at the re-enactment of the slave riots, and being completely emotionally overwhelmed by it. Some of my record collector/DJ colleagues and friends – first and foremost Hugo Mendez and Émile Omar – shared the same fascination for the genre and kept inspiring me, and countless others, by their DJ sets at Tropical Discoteq in Paris, where I have had the pleasure to be one of the residents for five years and counting. At one of those nights, I met my friend Pascal Rioux from Favorite Recordings and told him about an amazing unreleased track I received months before, on a home-burned CD, from ESNARD BOISDUR. Among other beautiful songs, it contained one outstanding track, a mix of modern Gwoka and Zouk called “MIZIK BEL”.When I started playing that track out, there were fierce reactions on both ends. The crowds loved it and after a while you could hear people cheer when they heard the first notes. Many DJs and labels wanted it, demanded it, and would even go as far as to block or unfriend me if I refused to comply. It became clear to me that the track had to be released on vinyl for the first time and made accessible to people who wanted to play it, while giving the original artist full credit. At the same time, I knew a remix version of the track that would pay respect to the original could only be created by getting the original stems, and not by editing the main track and pressing it into an “electronic dance corset.” Pascal agreed to the idea and started the licensing work and the search for the stems, which resulted in an ongoing three-year quest that was crowned by the finding of the ADAT containing the original tracks.As AFRICAINE 808, Dirk Leyers and I spent considerable time trying to re-create the composition of the original, respectfully slicing and re-arranging it, adding new instrumentation, and recording additional percussion and talking drum with our percussionist ERIC OWUSU (Pat Thomas/Ebo Taylor). We stretched it, adding a krauty synth part without losing the focus of Esnard’s beautiful voice and lyrics, describing Caribbean music in all its diversity and beauty.With this in mind, I hope you can now enjoy the beauty of “MIZIK BEL” as much as we have so far.” – (DJ NOMAD, June 2019).

What started as an idea 5 years ago now becomes reality with the release of SAIGON SUPERSOUND Vol.1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called “Golden Music” period in the south of Vietnam, where – under difficult circumstances – a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. The compilation includes some tunes reissued for the very first time since they´ve been released originally. With the release of Saigon Supersound Vol. 1 on double gatefold vinyl and cd in May 2017 the story of this nearly unknown music will be reissued.Jan Hagenkötter a music-lover and DJ who is also the mind behind the renowned music publishing company and record label INFRACom!, relocated to Saigon in 2012. In co-operation with the Vietnam based dOSe crew, Jan organized parties and shows, inviting guest and friends like DJ Spinna, Jazzanova, Alice Russell and many other artists. During this year as he was spinning tunes in Saigon and other parts of South East Asia the idea for this project was born. In 2013 Jan returned to Germany but has been swinging back and forth between Saigon and Frankfurt ever since.In the following years he began to research and collect more seriously. He bought vinyl singles from around the world, often several copies of the same release, just to restore or rather “rebuild” one good recording from several sources. With the help of friends based in Saigon, he was able to navigate an almost impenetrable jungle of music websites. Thanks to invaluable support and translation assistance from Vietnamese friends, he came into contact with several collectors. The best recordings from this treasure hunt were then retouched, refined and remastered in the studio for this release.Besides this amazing project, Vietnamese producers like Maqman from Saigon, DJ Yellow from Paris and others who also share roots in Vietnam have already started to work on edits and re-works of songs featured on Saigon Supersound Vol. 1. These will be released in a next step....the mission is not completed....it just started!

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history. Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother… Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

For its new release, the Parisian crew Discomatin picked a lesser known banger of the boogie era, Maudit DJ by Clara Capri. Produced in Belgium by Jay Alansky with lyrics written by his sidekick Jacques Duvall, this EP brings together an Italo discoesque bassline surrounded by shiny synths and irresistible guitar licks. On top of that, Clara Capri sings with a high-pitched voice. Maudit DJ is a real celebration of the nightlife.Fortunately, it’s brought here with all 3 versions transferred from the original tape masters: the extended “Version Longue” with its great introduction sounding like strong early house, the shorter “Version 45 Tours” if you’re in a hurry and, last but not least, the instrumental version for those too shy to play the vocals. But let’s head back to the 80’s: Jay Alansky and Jacques Duvall are having a real success. They just produced famous Belgium female artist Lio’s first hits and have access to Dan Lacksman’s studio in Brussels - member of Telex with Marc Moulin. During this euphoric period, they met Clara Capri, a young Italian girl really crazy about Disco, swearing only by Giorgio Moroder or Chic. Her two buddies decide to concoct her a real hymn to the dancefloor. For them it sounds like the perfect time, considering the duo always dreamed of being like a shadow production team, just like Motown’s very own Holland-Dozier-Holland. With a great care to the production and the sound and with the best technologies from the era, they managed to create this French dance music attempt, at a moment when nobody was speaking about French Touch.Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from french artist Camille de Cussac.

After three decades as one of Trinidad & Tobago’s leading musicians, Andre Tanker is still among the country’s best-kept secrets. But he’s always made his music for the world. Since the 1970s, Tanker has been composing and performing what he would sum up as “Caribbean world music”. It draws on the traditions not only of the modern Caribbean Calypso and Reggae, but on the Jazz, Blues and Soul of North-America, the drums and chants of Africa, the tabla and sitar of India. Nowadays that rich mixture is part of what’s called “world music”, and the rest of the world is finally catching up with Tanker.The drums that were most important in Tanker’s musical education were African drums, the drums of Shango or Orisha, the New World fusion of Yoruba religion with Catholicism in which particular saints are identified with Orisha deities or powers. It was at the Little Carib theatre that the young Tanker first heard the late Orisha priest and master drummer Andrew Beddoe. He didn’t know it then, but the beat of Beddoe’s drums was to reverberate through his own career.It was while Tanker was discovering the African roots of Trinidad’s culture that he discovered himself. Long before it became politically correct to accept Africa as the place where life began, Andre Tanker realized that his life and his music came from there. But Andre could look into a mirror and see the world, and knew that his life, and his music, had also come to, and out of, Trinidad and Tobago, New York City, London, and Rio de Janeiro. Andre Tanker insists that he doesn’t only cater for Trinidadian tastes: “If you’re a universal person, your music must have universal appeal.” it’s precisely because of its deep roots in local culture that Tanker’s work is world music: “I like to say the deeper I go into Trinidad, the closer I get to the center of the earth. I don’t care where you are, if you look up you’re going to see the same moon.”Andre Tanker wrote and composed “Back Home” and “Get Ahead” in the 70’s, sings lead vocals and plays lead and rhythm guitar, while percussions are played by The Mansa Musa Drummers. “Back Home” is the anthem of the returning migrant (I went away, I leave and I come back home...), while “Get Ahead” is a rhythmic and unique mix of world, rock and blues, a vintage classic blending. This is proud music made by the most humble man. Andre Tanker has an amazing legacy that his great family will cherish and continue to carry on.