Nu Genea
Nuova Napoli

Almost 3 years after the release of his first album Seventy Seven, G's Way returned with his new album entitled Patchwork initially released in 2014. It is with the same ingredients that G's Way comes to light: a powerful rhythm section, served by a heavy brass section and talented soloists from the international scene, like the UK trombone player Trevor Mires (on « Kim Helped Me »), who is playing with the famous acid-jazz british band Incognito since many years. Or Gäel Cadoux (on « Space Invaders »), fantastic keyboard player, member of one of the major band in the french jazz-funk scene, Electro Deluxe.Still leaded, composed, and arranged by Gérald « GG » Bonnegrace, Patchwork is a real musical rainbow, from pure funk (« Gotcha ») to Latin music (« jam-session »), through jazz and afro-beat (« Manikou »). But this time, G's Way has invited 3 rappers to complete this musical revolution, marking a major change compared to Seventy Seven . The famous french artist Kohndo (« One Nation »), one of the best female voice in hip-hop game made in San-Francisco, Melina Jones (« Took So Long »). And last but not least, Bruce Sherfield (« The Percfect Getaway »), versatile us artist, rapper, singer, spoken word specialist, and of the most important activist of the parisian scene. With this touch of Hip-hop, Patchwork finally lives up to its name, and bring G's Way in another dimension ...

** Available exclusively at The Pusher **Born in a Gambian griot family, kora virtuoso and afro-fusion pioneer Jally Kebba Susso has been active in the UK music scene for twenty years. While based in London, he has tirelessly, through both personal and collective endeavours, built a singular musical identity by working hard on making the timeless Mandinka kora, an instrument he's been playing since his youth, sound like never before, combining the ancient West African strings with forward-thinking aesthetics and myriad of musicians and producers from the thriving London music scene such as Onipa, Dark Sky and Kay Suzuki.Jally Kebba Susso has already released two albums as a solo musician ("Malaye Warr", 2012 and "Banjul - London", 2017), as well as a member of the successful afro-fusion band Afriquoi, whose latest EP has garnered a very wide support, culminating in several million streams and performances on some of UK's biggest festival stages (Boomtown, Glastonbury).Freedom! A heartfelt shout expressing the newfound joy of an African musician whose working conditions, despite his long-standing roots in the London music scene, have sometimes been precarious. A newfound freedom to be able to look ahead and fully persue one's need of self-actualisation. Hence this new EP, written with the help of Jally's accomplished band members (Yuval Juba Wetzler, Nim Sadot and Oli Arlotto) and produced by Tom Excell (Onipa, Nubiyan Twist), whose 4 tracks all deal with topics (identity, homesickness, family, social justice) which are dear to Jally's heart as a Gambian native and West African musician settled in Europe.A pleasant atmospheric opener, "Wulu Doula" rides on a classic Afrobeat groove, while Jally reminds us how we are only what we become, no matter where we come from and who we inherit from. "Justice" is a stomping mandinka funk hit, in which "freedom, equal rights and justice" are claimed by Jally for all fellow artists and musicians from the West African diaspora working in Europe.Clearly anchored in Gambian music tropes and reminiscent of the pioneering mandinka fusion of Ifang Bondi, "Fakoly" tells the story of Jally's family lineage, as a member of the 74th Susso generation. As Jally puts it, "being a griot is a way of life". Homesickness can be a bitter feeling. But you can turn it around. That is exactly what Jally achieves with "Banjul", a cheerful, funky tribute to the Gambian capital, in which Jally grew up, learning words of wisdom from his elders.

2 years after the release of his first solo album, Favorite Recordings proudly presents SOLAR, second album by acclaimed Brazilian composer Lucas Arruda, and hundredth releases of the label!!Lucas Arruda’s born in 1983 near Rio de Janeiro. After studying electric guitar, his passion quickly turned into Rhodes and keyboards, expanding his musical range of skills. At the same time he started his own home-studio and a real musical career in Brazil, gaining great local support from people like Ed Motta, William Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon. In 2012, Fabricio Di Monaco (from Modo Solar) introduced Lucas’ music to Favorite Recordings’ head honcho, Pascal Rioux, and one year after, Lucas Arruda presented his first solo album titled Sambadi, receiving great supports from many international DJs and media, who all acclaimed his natural skills for composition and arrangement.Following this successful first effort, here comes SOLAR, new and second solo album by Lucas Arruda, filled with his fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul and Funk music ;On “Melt the Night” for example, Lucas asked legendary producer Leon Ware for his help, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil. For the occasion, they also recorded a blowing version of Marvin & Diana’s classic ballad “Stop! Look, Listen (To Your Heart)“ with the help of Guida de Palma’s (Jazzinho) beautiful voice.For “Uma Onda”, he invites Alex Malheiros, bassist of the famous Jazz band Azymuth, for a splendid tribute to their specific fusion sound and influence on the Brazilian music scene. Finally the song “Agua”, co-written with his longtime friend Fabricio Di Monaco, is a beautiful ballad which illustrates perfectly Lucas’ passion for Soul music stars such as Stevie Wonder or Curtis Mayfield.On top of these great collaborations and a few more surprises, SOLAR also differs from its predecessor by a lot more elaborated production process, offering an authentic and warm sound. Mostly recorded at Sala A Studio in Brazil, many drums parts were also taken at the fully analog Ambience Studios in Finland. The mix was also done in Finland on a Neve 8108 console from 1978, using only analogic technology and a Studer master tape to record the final pre-master.The result is a timeless album, which should definitely established Lucas Arruda as one of the finest and most talented Brazilian musicians these days.

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz.Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings.Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. Cosmic disco pioneer, Studio 54 icon and jazz improviser Asha Puthli has recorded, sung or shared the stage with the likes of Roy Ayers, Alice Coltrane, Grace Jones, Barry White, Andy Warhol and many more. From David Mancuso's The Loft, to Giorgio Moroder's early work with Donna Summer, to hip-hop where she has been sampled extensively, Asha's musical influence and impact is profound. She was the first artist of South Asian descent to successfully crossover and make a mark on dance, jazz and pop culture in the West.For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli. This is a stunning collection of remixes that pay homage to the originals while taking them into new sonic territoryA series of single drops will precede the whole LP; Yuksek (21st July), Maurice Fulton (4th August), Turbotito & Ragz (18th August), Psychemagik (1st September), Kraak & Smaak (15th September), Jitwam + LP (22nd September).

** Available exclusively at The Pusher **Comet Records present the new release out of the Comet new reissue series, Noel McGhie’s only full-length LP, released in France in 1975 at cult private label Disques Esperance! A true rare groove classic, a one-of-a-kind spiritual jazz funk record with a fusion touch. Includes ‘Trapeze’, ‘Dancer’ and ‘Mademoiselle Tuloch’.