Koji Ono
Incognito EP

This Incredible afro-soul album was recorded in Italy in 1974 by the two Nigerians Ezy Hart and Isaac Olashugba. Ezy is known for his vocals while Isaac for playing saxophone. They are ex-members of Fela Kuti’s Hi-Life Jazz band, The Koola Lobitos and The Don Ezekiel Combination. After doing amazing collaborations together, recording a few Christian-Funk albums, and touring all over West Africa, these two finally settled in Italy were, after almost two decades, they not only toured through the all country, but also through Switzerland and Monte-Carlo.The Funky Fella, a group of 12 top Italian musicians such as Maestro Leoni from Rifi records, produced three albums with Ezy and Isaac. The first one is called Soul Rock and is considered as a Soul masterpiece. It contains the bomb track called “Bawagbe” ; This track is very tuff, hypnotic afro-soul groove with ruff Yoruba chants, smacking congas, afro horns, funky breaks and a wicked percussion breakdown of rattling cowbells. It`s a very unique collectors’ item for the afro-funk lovers and more. We’re also including a bonus track called “I’m Ready For you”, coming from the rare funky 7inch released in 1976.Soul Rock is considered gold-dust, it`s the Holy Grail of Afro-Italian funk.

** Available exclusively at The Pusher **Transversales Disques is very glad to announce the release of Solitude Transit unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud.Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks…

** Available exclusively at The Pusher **Atangana Records is back with two afro disco groove tracks from the second album of the mythical Senegalese band Touré Kunda. The tracks "Manso" & “Touty Yolle” were originally released in 1980. The remastered track "Manso" is remixed on B1 by the duo Deni Shain & Mister Francky and B2 with the remixes add part.When Deni struck gold: "It was a warm Sunday in Guadeloupe when I went back for some for digging, after looking through 800 vinyls, I was swayed by the album E'mma Africa from Toure Kunda. Listening to it sent me back to my youth, when I used to play the K7 over and over again.As I replayed the LP, these two songs stood out and I could instantly picture the potential & the remix I could do with Mister Francky."

Hot Casa Records present Togo Soul 70 (Selected Rare Togolese Recordings from 1971 to 1981). A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the 70’s, a fusion of traditional voodoo chants, raw soul and Afro jazz. Finding these tracks and their rights holders hasn’t become any easier even after few trips all over this west African country bordered by Ghana, Benin & Burkina Faso.We, at Hot Casa Records, decided to select 13 tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country’s recording history, including international stars like Bella Bellow (who even performed to Maracana stadium in Brazil), or Roger Damawuzan, compared as the James Brown from Lomé, and forgotten tapes and brilliant songs in Mina, Kabyié and Fon languages. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Togo was at the time, even if the political context influenced their creation.A must have for all music lovers, also used as the soundtrack of the documentary Togo Soul 70, directed by Liz Gomis & DJ Julien Lebrun!

French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these lifelong affections. As a performer in a Parisian cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade, his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obsession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever-present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey.Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

Almost 2 years after the success of the album THE TONY ALLEN EXPERIMENTS and a few months after the release of the 7inch AMORE, Nu Guinea return to the scene with a new LP published by their newborn label NG RECORDS.After touring the world looking for sounds suitable for their vibrations, NU GUINEA decided to go back to square one, Napoli, where Massimo Di Lena and Lucio Aquilina were born and raised. They watched their city from a distance reconstructing its energy from their studio in Berlin, calibrating the synths on the meridian of Vesuvius, the volcano that has always protected and threatened Napoli.NUOVA NAPOLI is the result of a long musical research that has become a historical investigation on the sound that shaped Napoli during the ‘70s and ‘80s, starting from the contamination of genres (disco, jazz-funk, African rhythms) which ended up in Nu Guinea’s DNA.In this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in Neapolitan dialect. It is the first time that the duo has worked with such a large group of musicians, some of whom are exponents of the contemporary Neapolitan scene.WARNING: We recommend listening to Nuova Napoli while walking in the alleys of Napoli’s historic center, around wet clothes hanging and street vendors on tiny three-wheelers.