Lamar Thomas
Feel So Good Inside

Created in 2005, Trevor & Lisa is a Parisian Funk band founded by Sébastien Despicht (guitars, talk box) and Mikael Prignot (programming). With Stéphane Ugolini (keyboards) who joined them later on, they formed the core production trio of the group, helped around with various other talented musicians. Built for live shows, Trevor & Lisa has strongly toured the French and Parisian gigs scenes, with also numerous radio shows (Nova, Generations, Le Mouv, ...) or TV shows (France 4). Additionally they developed several collaborations, for example with famous soul diva Gwen McCrae (as her backing band) or with French singer Mounam (from The Dynamics) on “What Needs Mama” single. Meanwhile, Trevor & Lisa also produced two punchy 7inches released on Favorite Recordings and which could be considered as a preview to a long player.This first LP will finally be released early 2013 on Favorite Recordings, and it’s filled with the same contagious energy they gave off on their previous records and live shows. Clap ‘N' Hustle is like a call to dance, filled by a deep groove and boosted with relentless breakbeats and percussions. With an ambitious production, this first album has involved many talented musicians and many guest singers such as Jehro, US underground rappers Rita J, Raashan Ahmad and Clyde King Rap (Real Fake MC), his longtime mate DJ Suspect (The Funk League) at turntables, or Julien Tekeyan at percussions.The program for this Clap ‘n’ Hustle : instrumentals spiced up with burning breaks (Night Of The Wolf, Tango Hustle, ...), old-school rap influences (Soul Clap, Dope On Plastic, ...), a taste of Californian Blue-Eyed Soul (My Friend ...), some talk box and vocoder embellished with an incisive brass section, all of it punctuated with interludes made of finely selected samples. Finally, Liza Rose and Yann Kesz have brought up their personal touch for visuals, artwork and videos.We hope you’ll enjoy !!

Folowing their 2015 release of That's All Right, an introduction to Arthur-Big Boy-Crudup, EALZ! Records is presenting the female side of the early Rock'n'Roll genesis. Sister Rosetta Tharpe was responsable for a tremondous amount of gospel & blues rockin' tunes beetween the 40's and the 60's.Her soul-infused singing, the fervor she preach & the way she played guitar influenced directly the path of Little Richard, Chuck Berry, Jerry Lee Lewis, Elvis Presley and many others. She was the favorite singer of Johnny Cash and Aretha Franklin and 15 years before Angus Young and Frank Zappa, she already played the emblematic Gibson model SG. The 12 tracks compiled on this brand new volume, include some never vinyl re-released material.This gatefold 10inch, handprint cover and beautifully remastered is about to give Sister Rosetta Tharpe, one of the first female rockstar of history, the consideration she deserve... and not only from above. Amen!

Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released late 2015 on Favorite Recordings.Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa’s now presenting its 2nd efforts, Des Promesses.The 13 tracks of the album are again up to expectations, and Voilaaa has not finished feeding international dancefloors with heavy Afro-Disco music. Alongside Bruno at the production, singers Pat Kalla and Sir Jean are back providing their carefree lyrics and Afro vibes, and Senegalese artist Doctor Lass comes to extend the team, with 3 brilliant titles, including a great Funky cover of the classic “Mandjou” by Salif Keita and Les Ambassadeurs Internationaux..

Dwight Druick’s born in Montreal to a professional gambler and an ex-Radio City Rockette. One of five children, he grew up in a family buoyed by music and beleaguered by the vagaries of miscalculated risk. After attaining a McGill University bachelor’s degree in Art History, Dwight fully embraced both music and risk by traveling to London, where he signed a contract with Pye Records and Joe Cocker’s management company. The ensuing record, Druick & Lorange was released to critical acclaim and relative success. After returning to Canada, Dwight recorded two albums with Phil Vyvial: Midnight and Minuit. Recorded with the Muscle Shoals Rhythm Section in Alabama, the duo’s work achieved airplay success in Quebec and across Canada. Dwight subsequently released his first French language solo album, Tanger, released in 1980 by the Canadian label, Bobinason.Today quite hard to find in its original version, Tanger is first of all an incredibly solid album, clearly underrated and deserving more credit. Mostly known by collectors and DJs for the stunning cover of Toto’s classic hit, “Georgy Porgy”, which was produced and arranged with the help of George Thurston (Boule Noire), it includes many other tasty titles, with amongst them another fine rendition of “Open Your Eyes” by The Doobie Brothers. In fact, with its brilliant mix of Modern-Soul, Disco and AOR styles, the whole album is already considered by many connoisseurs as a classic, and clearly a must have for anyone enjoying this musical blend.Never reissued on vinyl until now, there was not much more needed at Favorite Recordings to make it happened. Officially licensed to Dwight Druick, who was unfortunately not able to provide the original tapes, Tanger has been perfectly restored and remastered by Frank Merritt, at The Carvery, London. CD and digital edition will also come with “Georgy Porgy (Version Disco)” as a bonus track.

Favorite Recordings and Charles Maurice proudly present the 4th edition of the AOR Global Sounds compilations series: 14 rare and hidden tracks, produced between 1977 and 1986 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 4th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors.Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, but the other half is made of productions from all over the globe, from France, Belgium, Italy, to Mexico. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.As an example, “Come Back” is the result of a music talent competition won by a student band named Parenthèse, gaining a full recording session in a professional studio and the production of a limited promotional 7inch vinyl, which still completely obscure til now. “Mellow Out” comes from the only album by Pacific Dreams, which was fully self-produced and released by its leader Tommy Sweet. Fernando Toussaint, however having quite a solid career and discography as a drummer and with his brother forming the Mexican Jazz-Funk band Sacbé, had solely one solo album released in very limited quantities on Discos Alebrije, a label directed by Alain Derbez. As for “Never Was Love” by Russ Long, despite becoming quite famous when recorded and sang by Judy Roberts, it’s still surprisingly undiscovered in its original version, taken from Russ’ beautiful album from 1982, Long On Jazz In Kansas City.And we could detail stories like this for each of the titles included in AOR Global Sounds Vol.4, but our guessing is the best way to learn more about all these gems is to listen to it, fully remastered from originals, and whether your preference is for vinyl or CD formats.

** Available exclusively at The Pusher **After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new album commercially available for the first time entitled Occhio Occhio.The album contains insect-themed outernational grooves with tropical and Arabian flavours and smooth and buttered tunes with soulful vibes that are reminiscent of classic European library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's mystique, with travels through funk territories and all the while frenzied percussion-heavy break beats keep b-girls and b-boys moving on the floor.Including the sold-out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3 exclusive tracks for this vinyl edition.