Boncana Maïga
Koyma Hondo

Following 2 acclaimed first editions, Stix Records presents the 3rd volume of its Disco Reggae compilation series.Like previous one, the 9 tracks comp is made both from productions of the home labels now sold-out as vinyl, and from brand new exclusive music by the like of Taggy Matcher, Mato or newcomer Rosemary Martins, taking over classics titles from Donna Summer, Stephen Encinas, Roberta Flack, Herbie Hancock, Steve Parks, or Inner City.The perfect soundtrack to extend the summer!!

Behind the name Mr Day, lies a band led by singer, guitarist, DJ & collector Eric Duperray. From the mid-90's Eric begins to make a name for himself with the group Kool Cats Club and tours a lot in the Acid Jazz scene, repeatedly making the first part of the label's leading bands like Corduroy or Mother Earth.In 2003, Eric works alongside Bruno "Patchworks" Hovart, a real starting point for a collaboration that will take them on very different playgrounds, with notable successes including, among others, the classic "Yonuwhathislifeez" under the name Metropolitan Jazz Affair, the incredible 45s "Seven Nation Army / Move On Up" by The Dynamics, the recent hit by Mr President, "The Best Is Yet To Come" or the track "Food For Soul" available on this new album, and which already received recognition before its release (international ad soundtrack for Nespresso, compilation Psyche on Acid-Jazz and finally the soundtrack for Alexander Coffre's latest movie).Meanwhile, Eric and Bruno formed the band Mr Day in 2007, with experienced Jazz and Rock musicians. Without waiting they release a series of 45's, EPs and start touring, which leads to their first album, Small Fry, released in 2010 on Favorite Recordings. Small Fry not only receives a warm welcome, it also lays a solid foundation for a real band and a unique sound.Today, the project Mr Day keeps affirming itself. During the writing of this second album, the band evolved naturally towards a more ambitious sound which clearly set them at the intersection of Rock and Soul from the 60s to now. The band also decided to use 100% analog production and recording techniques: magnetic tapes, live takes and cracklings contribute to producing a rich and organic sound. However, Mr Day is far from being a revival band. On the contrary, Dry Up In The Sun appears resolutely timeless, that is to say in his vintage, yet modern approach. The beats perfectly coexist alongside the guitars, as in the great era of Primal Scream in the 90s. The alchemy seems perfect and natural on each of the 10 tracks that make up this inspired and mastered sophomore work.

This disc closes the triptych of the two previous opuses. It's an imaginary road trip in accordance with the previous records, we find the usual groove with psychedelic flights while keeping those melancholic melodies dear to Lucien & The Kimono Orchestra.

For its second release, Providenciales Records was able to unearth a previously unreleased album from the Buster Brown Band, featuring Kelly McNulty (from the Tagg/McNulty Band), Roger Burton (from the Bee's Knees), Jim Casey, Gregg Bissonnette (Ringo Starr's drummer), among others ... Inspired by some of the best Soul, AOR and Funk artists, the band recorded these demos in studio in 1982 thanks to their local success in Dallas, TX, at the popular Popsicle Toes venue (the album title).“Baby Don’t Lie” starts the album with a beautiful and mellow Soul / AOR introduction, while the following tracks, “Day Or Night”, “Endless Possibilities”, “Shock Proof” and “Say It” complete the LP with their Soul / Funk touch. There is even the first version of "Baby Don't Lie" as closing track, which was recorded 5 years before, in 1977.Band members have collaborated with artists such as Lee Ritenour, Ringo Starr, Harvey Mason, The Isley Brothers, Smokey Robinson, Kenny Pore, Eric Tagg, and much more…Liner notes (including exclusive pictures) and full story of the band by the one and only Grammy awarded David Ritz (co-author of "Sexual Healing" with Marvin Gaye)!Limited edition of 500 copies, fully remastered!

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Like an ode to your Walkman and to those 90-minute tapes that you used to rewind with your pen, DA BREAK's first LP was all about Funk & Hip Hop 90's flavors.That album immediately found itself on playlists on all your favorite radios (Radio Nova, FIP, Couleur 3, France Inter, RFI, BBC 6…), and enabled Da Break to play live in major festivals and venues (Nuits Sonores, Nuits Zebrées Nova, Radiomeuh Festival, Woodstower, Festival de Marne, Hortus Live…).This was completely unexpected, a major learning experience, and above all a lot of fun and gave the Lyon-based gang a whole lot of ideas for the next stage in their musical journey, propelling them towards new musical horizons: infectious riddims with grooving keyboard & guitar licks as their bedrock and free association leading them into jazz, broken beat, soul or disco vibes … During the creation of Let It Shine, all doors were wide open and all musical genres potentially welcome. The production still has a « home made » feel to it, like the previous album, but with a modern, sonic twist when needed- a result of three years on the road together and new creative input from group members. Whether it be on a New York summertime roof-top, or settled in a Low-Rider with some G-Funk, or moving to some phat Jamaican style bass-lines or getting sensual on a tight breakbeat, lead singer Hawa knows how to shine her feminine and versatile brilliance on the project. She gives to the songs the final touch and the emotion needed to share with us her stories about human relationships - everyday tales sharing her real life-experience.This ever-expanding musical spectrum, Da Break play with it, explore it and also let it kick completely free at times ! Song after song, they bring a magic glow to LET IT SHINE.