Bottazz!
Volume 1

Dwight Druick’s born in Montreal to a professional gambler and an ex-Radio City Rockette. One of five children, he grew up in a family buoyed by music and beleaguered by the vagaries of miscalculated risk. After attaining a McGill University bachelor’s degree in Art History, Dwight fully embraced both music and risk by traveling to London, where he signed a contract with Pye Records and Joe Cocker’s management company. The ensuing record, Druick & Lorange was released to critical acclaim and relative success. After returning to Canada, Dwight recorded two albums with Phil Vyvial: Midnight and Minuit. Recorded with the Muscle Shoals Rhythm Section in Alabama, the duo’s work achieved airplay success in Quebec and across Canada. Dwight subsequently released his first French language solo album, Tanger, released in 1980 by the Canadian label, Bobinason.Today quite hard to find in its original version, Tanger is first of all an incredibly solid album, clearly underrated and deserving more credit. Mostly known by collectors and DJs for the stunning cover of Toto’s classic hit, “Georgy Porgy”, which was produced and arranged with the help of George Thurston (Boule Noire), it includes many other tasty titles, with amongst them another fine rendition of “Open Your Eyes” by The Doobie Brothers. In fact, with its brilliant mix of Modern-Soul, Disco and AOR styles, the whole album is already considered by many connoisseurs as a classic, and clearly a must have for anyone enjoying this musical blend.Never reissued on vinyl until now, there was not much more needed at Favorite Recordings to make it happened. Officially licensed to Dwight Druick, who was unfortunately not able to provide the original tapes, Tanger has been perfectly restored and remastered by Frank Merritt, at The Carvery, London. CD and digital edition will also come with “Georgy Porgy (Version Disco)” as a bonus track.

In the '70s, Yan Tregger was far to believe he would become one of the most emblematic artists in the "sound illustration" scene. Yet today, his albums are highly coveted by "diggers" all around the world. At the time, nobody paid much attention to all those records that were classified as sound illustrations, or library music. Yan Tregger started out in this environment in the late '60s. He was remarked after making several recordings for the credits of TV shows, and received a proposal to compose his first album. It was a small label (Marignan), the sleeve design was skimpy and the track titles were bizarre... Yet when you listened, the sound was seriously groovy. The album was called Freezing Point and a mere 300 copies were pressed.Thanks to this first test, other "illustration" professionals were convinced by Tregger’s qualities. During this period, there was no lack of work but there was no glory on the program either. In the '70s, many different labels such as Neuilly, Montparnasse 2000, or the Italian CAM label, called on his services. Shortly afterwards, Philips released two of his records under the name Major Symphony, and then Polydor issued the two M.B.T. Soul albums, including one international success, "Chase".Up until now, despite the interest shown in his discography, no reissue had been undertaken - an omission that has just been fixed thanks to the release of a compilation that we are pleased to present. Let's start with the main information: the tracks included on the album were selected jointly by a number of collectors and Yan Tregger himself. The selection is rich and surprising. The A side is more "seventies", with an instrumental pop style and a psychedelic vibe, while the B side is more rhythmic and melodious, corresponding more with the funky disco moods of the eighties.

Split Single from the garage combo of The Panturas and Sundancer sung entirely on their regional language. An exclusive 7” split from Indonesian surf-garage-rock behemoth The Panturas and Sundancer, hailing from Jatinangor and Lombok Respectively. It was the first series from their upcoming “"Singel Klub" series."Lasut Nyanggut" by The Panturas their first song sung entirely in Sundanese language. The band appointed Ricky Virgana from White Shoes and The Couples Company fame to be their producer, and successfully produced a garage psych-surf-calypso with a mixture of traditional oriental sundanese pop aesthetics. The lyrics of the song itself paints a picture of someone fishing.The title itself is a popular term among fishing enthusiast on the western parts of Java.“Dedare Tanjung” or “Gadis Tanjung” roughly translates to “the girl on the cape”, was inspired from “Dark Eyes” a russian folk song and Ismail Marzuki’s very own “Panon Hideung” which is a song sung in Sundanese language. The band translates the song to their own mother tongue language which is the Sasak, a language that the band originated from.

WE'VE BEEN LUCKY TO GET 100 COPIES OF THIS BEAUTIFUL VINYL/BOOK.Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.Seven notes in the scale, seven days in the week, seven colors in the rainbow, seven wonders of the world, seven virtues and seven sins, seven ages of life, seven samurai, seven dwarfs for Snow White… Under the sign of 7, Belgian artist Jean Pierre Müller, in close collaboration with seven music legends (Robert Wyatt, Archie Shepp, Sean O’Hagan, Mulatu Astatke, Kassin, Nile Rodgers, Terry Riley), has conceived a magical project combining visual and sound compositions, in all senses and meanings.In the summer of 2012, 7×7 was first presented to the public in its entirety at Edinburgh’s Summerhall, the start of a series of high-profile exhibitions and shows that have taken 7×7 from New York to Cannes. Ten years later, Jean Pierre and Tricatel would like to dream again with you, this time of a physical object celebrating 7×7 and offering the general public the opportunity to own a piece of the 7 colors dream.This art and music object is a Gatefold double-vinyl, comprising two white vinyl records in printed inner sleeves and a 64-page booklet in the center, like a book.More about Jean Pierre Müller: jeanpierremuller.be / 7x7art.com

The French-Afropean duo is back with a new funky masterpiece album! DjeuhDjoah & Lieutenant Nicholson are French composers and afro-soul singers. The duo are creating a new vibe with French sounds and mixing it with Jazz, Afrobeat, Electronic and Soul. T’es qui ? was their first album released in 2015 and re-released a year later under the name Remets t'es qui? It was result of an intense collaboration that has lasted many years, on stage and in the studio. They call their music “Afropean songs”, a collection of Jazzy-Pop melodies, Afro-Soul and Funk arrangements.This new album has 15 songs, and features a tribute to the famous poet Aimé Césaire on the title. The Antilles are also honored with creole lyrics, and if you listen carefully – you’ll hear them distilled within the album. La Montagne Pelée's eruption in 1902 is evoked under the prism of “August Cyparis”, one of the three survivors. The rhythms are tight and focused, with some Antilles, but also Detroit elements thrown in, accompanied with a strong horns section, vibraphone and analog drums. There are lots of echoes from the era of Jazz funk and the lyrical French Mode, mixed with some slightly warmer currents that show their wider love of modern funk and eclectic tastes. It is a unique sound, an original recipe, using French wordplay with a universal message. Last summer, they presented the now critically acclaimed first single “El Nino”, an Afro-Funk gem about climate change, and “Fontaine”, an Afro hit with a great combination of analog take and electronic dance floor ingredients. With massive support from national radios and prestigious international DJs such as Gilles Peterson, Aimez ces airs could be one of the Top funky albums of 2019!Limited press on a deluxe double vinyl cover designed by the artist Felix, mastered by Dj Vas.