Jean Kefta & Max Houmous
Humus Per Tutti Vol.2

Chamber music masterpiece with electronicsAlbert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition.These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside.In 1979, 29-year-old Albert Alan Owen released Keyboards & Strings, a light magical chamber music masterpiece.Transcending the formal conventions of its era, Keyboard & Strings is an acoustic and electric piano piece, where the violin is met by synths and electronics.As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light.Quiet, profound, and immersive, Keyboard & Strings stands out as an electronic-age tone poem, a rare gem that transcends time and place.

Comet Records is excited to present Afro Rhythms Vol. 1 the first repress since 1999 of Singles and Remixes out of Black Voices’s LP from Tony Allen Afrobeat pioneer, along with the iconic Psyco On Da Bus creating a new sound between experimental, electronica and afrobeat, both albums produced by sound activist Doctor L. The compilation is a proper trawl through the vault of the early years of Comet Records featuring producers and artists as IG Culture, Eska, Catalyst aka Alex Attias, Psycho On Da Bus Featuring Doctor L and Tony Allen, Cinematic Orchestra and the legendary Parisian duo Chateau Flight.The tracks "The Drum" and "Brotherhood" produced respectively by IG Culture (Son Of Scientist) and Cinematic Orchestra are part of The Allenko Brotherhood Ensemble project, a collaboration between the unique drumming style of Tony Allen and the best in contemporary producers.Comet label continues its hypnotic elliptical orbit through radical funk realms and dancefloor wormholes, connecting to five decades of music from four continents and still heading for the future, a pure and positive light to guide our way on.

Back in 2007, Xavier Boyer, frontman of French indie maestros Tahiti 80, released his first solo LP Tutu To Tango under the “nom de plume” Axe Riverboy. He didn’t think it would take another 10 years for the follow-up but here it is and it was well worth the wait.The title Some/Any/New, his tip of the cap to Todd Rundgren’s Something Anything album, reflects both the atmosphere and the process, Boyer crafted the new set playing everything, save a few overdubs recorded with collaborator Stéphane Laporte, using a laptop, an 8-track tape machine and a few cherished instruments (a groovebox, a guitalele and a casiotone).The album is awash with classic melodies, sweet Odessey & Oracle-esque vocals and the songs have a warm, organic glow, enhanced by some rough edges and little imperfections, happy accidents of the DIY nature of the recordings.Xavier pieced together the album over quite a long period. The songs were written in different places, in different towns and houses. Given all of that, it is perhaps surprising that the finished record is so coherent, light-infused and optimistic. What is supremely evident is Xavier’s ability as a songwriter; here he again delivers a set of gorgeous, contemporary and immediate pop songs. From the exquisite harmonies and frayed electronics of “Cherry Cloud Panic” through to the down-tempo, deliciously melancholic track, “Longing/The International Merry-Go-Round” we are in the company of an artist, confident in his creative ability. This is a highly-enjoyable piece of work - as the man himself says “It’s “like opening a window to the world on a sunny day.”

Eight years after the critically acclaimed Alien Cartoon, Senegalese producer IBAAKU returns with JOOLA JAZZ LP !An alchemy of jazz, electronic sounds and Casamance music in the tradition of Touré Kunda and Xalam in their day.The album is also accompanied by a short film:a manifesto of resilience in the face of the sound poet's personal historybut also a questioning of the way in which technologies technologies and cultures come together to reinitialize our imaginary.Identity: The meeting point of electronics, jazz and the musical tradition of Casamance.The realization of this new project is associated with a research approach to traditional Casamance rhythms, vocals and instruments.A reference to Spiritual Jazz is also present, through stories and approaches ; while the skeleton of IBAAKU's tracks remains experimental,with strong influences from the emerging African club scene.

After "Folie Douce" his first single released in 2018 on Cracki Records, Braque de Weimar finally releases his first EP! Between French boogie, rap and electronic music, Braque navigates between genres without ever forgetting to make us dance!

Lamunai Records presents Curiouser and Curiouser, a treasure trove of millennial music era from a duo pop group called Santamonica from Jakarta, Indonesia.The concept of this album is making music from a trip to the adventures of Alice In Wonderland, an eclectic mix of pop, bossanova, electronics, waltz and shoegaze. From Astrud Gilberto and Antonio Jobim, Pizzicato Five meets My Bloody Valentine or Stereolab's 60s sensitivity to Broadcast. A collection of multi-layered analog audio sets, the noise of Joseph Iyup's noisy guitar combined with Anindita's fairy voice melodious lines of strange lyrics wrapped in curling beats, very dynamic, very rich. Listening to the album, on several tracks, we can hear French Pop's acrobatic 5/4 beats until the roar of the wall of sound becomes a combination that is difficult to imagine at the time and is still very relevant to listen to now.Now, for the first time ever, one of the phenomenal albums of the 2000's Indonesia wave is now available in a limited format in 2xLP-Gatefold-Marbled colored vinyl with an additional song that has never been released before.