Open today: 00:00 - 23:30

Lord Funk Moar
Bela Menina / Onda Nova

Bela Menina / Onda Nova

Catno

NO-003

Formats

1x Vinyl 7"

Country

France

Release date

Apr 19, 2022

Nova Onda returns with a third 7inch Vinyl, the two sides are edits remixes by our well known Lord Funk & his partner Moar, their wishes was to respect the original song, putting slight additional drums & effects. This 7inch gives you two Brazilian Disco House tunes.

The killer track "Bela Menina" is a disco jazz-funk house edit, in the style of George Benson.

"Nova Onda" is a sunny mid-tempo funky house track for beach time with guitar hooks, made for the dancefloors.

A

Bela Menina

B

Nova Onda

Other items you may like:

The music on this compilation was, for the most part, originally released privately in Geneva in 1988; the Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music orchestra. The Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band members/writers resulted in a wide variety of music: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz. But it was Oestreicher’s presence, at both the start and end of the process, that provided a sure conceptual framework and a comprehensive sound world. There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.The heart of this music’s appeal lies in Oestreicher’s complex intentions and methodologies. He revels in occupying the unsteady ground between analogue and digital, pushing his players to robotic precision while opportunistically grabbing on to the unpredictable results of computer error. He harks back to communal rigour of big band or orchestra structures, while understanding beautifully that the sounds of the future will not be synthesised imitations of existing instruments but something entirely other. He seizes on the value of resituating or recombining the sounds given to him by his bandmates, twisting them out of shape to create vivid new worlds for the listener to occupy. As a mathematician, he approaches the problem of group music making with a seriousness that results in beauty as a matter of course.
** Available exclusively at The Pusher **For it’s 10th album, Blundetto drops his first soundtrack on LP, an ode to road trips and 70’s scores. VTC is a Canal + mini series and features Golshifteh Farahani as Nora, the main character. This soundtrack is the most « urban » and « electronic » work from Blundetto to date. 33 mins of funk grooves, hypnotic atmospheres and psychedelic landscapes. This is the first release of Blundetto’s new label: Les Rythmes Ruban.
Lamunai Records is proud to announce Titik Api, the 2nd opus of the Indonesian master Harry Roesli, recorded in 1975. Political activist, prominent member of the Tradisi Baru Movement (New Tradition) who emerged in the 1970s, Harry Roesli worked with musicians, poets, playwrights who were commited to experimenting indonesian traditional culture. Titik Api is another successful effort to blend Indonesian's traditional instruments, such as gamelan, with Western music from progressive to funky hypnotic groove.
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s two first album, On te l’avait dit, and Des Promesses.Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa’s now presenting a new 4 tracks EP, which will be followed later this year by a new LP.Another killer package where Patchworks teams up again with longtime partner Pat Kalla, but also with newcomers to the project, like here Ramatou Traore and Ayuune Sule, both bringing great African languages vocals to “Tu mens devant moi” and “Woman Can Do”.
Split Single from the garage combo of The Panturas and Sundancer sung entirely on their regional language. An exclusive 7” split from Indonesian surf-garage-rock behemoth The Panturas and Sundancer, hailing from Jatinangor and Lombok Respectively. It was the first series from their upcoming “"Singel Klub" series."Lasut Nyanggut" by The Panturas their first song sung entirely in Sundanese language. The band appointed Ricky Virgana from White Shoes and The Couples Company fame to be their producer, and successfully produced a garage psych-surf-calypso with a mixture of traditional oriental sundanese pop aesthetics. The lyrics of the song itself paints a picture of someone fishing.The title itself is a popular term among fishing enthusiast on the western parts of Java.“Dedare Tanjung” or “Gadis Tanjung” roughly translates to “the girl on the cape”, was inspired from “Dark Eyes” a russian folk song and Ismail Marzuki’s very own “Panon Hideung” which is a song sung in Sundanese language. The band translates the song to their own mother tongue language which is the Sasak, a language that the band originated from.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.