Ark Pit Spector
Prospector #1

Sarah Benabdallah and Alexis Lebon are a very 21st century musical coupling, absorbing their metropolitan surroundings while tapping into a rich cultural heritage, not unlike fellow countrymen PNL or the Dutch band Altin Gün. A Paris-based duo set for greatness they might be, but it’s fair to say Mauvais Oeil are operating under a misnomer: while their name means “evil eye” in French, you’ll only experience enlightenment when you lay eyes (and ears) upon them.Mauvais Oeil are set to release their debut EP Nuits de velours, a magical melting pot of musical shibboleths and contemporary grooves. On opener “Mes nuits de velours”, we’re transported in the land of 1001 Arabian Nights, with the music every bit as smooth and alluring as the subject matter. “Afrita” is a trance-inflected musical acclamation evoking all the madness and gayety of a midsummer souk. Sung entirely in Arabic with delightful blasts of strings, it’s a North African-influenced banger with a delicate wistfulness.“Asha” meanwhile is in a reference to Asha Vahishta, the middle-eastern concept of truth according to the ancient religion of Zoroastrianism. Sung again in Arabic, it features catchy Phrygian guitar manoeuvres played over ambient analogue keyboard strokes. The E.P. is completed by “Constantine”, a song of longing, dedicated to the home of Sarah’s forebears.Having met in the arty northern faubourgs of Paris, Sarah and Alexis soon developed a musical telepathy and a shared sonic agenda, mining their own histories for the profound cultural roots that underscore Mauvais Oeil, while absorbing the ubiquitous sounds of the suburbs, where Turkish, Armenian and Ethiopian music ring out. The band’s moving and melancholic chansons are delivered with a delightful French pop sensibility, making Mauvais Oeil one of the most exciting and musically diverse prospects in 2019.

Detroit/Chicago and odd techno/house sounds influenced French producers Marius Cyrilou and Popodi Venturi to come back with a new banging crossover project called MOTORBREMSEN. Marius and Popodi already had many digital and vinyl releases on various labels like People Potential Unlimited records, Omega Supreme Records, Outrun records and on their own labels, La Maison Venturi, Bazaar Records under the names of Spaced Out Krew, The Ceeofunk Band or Westbrook (and many others more).This 5 tracks EP gathers many influences such as Theo Parrish, Moodymann ("So Confused") or Drexciya-n sounds ("Sanctuary"). Some deep and dark bassy house mood concludes this ep ("Human Freaks" , "Riding Over The Darkness"). Besides this, the marvellous voice of Mae Rojas (The Ceeofunk Band) comes with a sensual touch on the track "Tiger Prey (Radio Edit)". This EP gives an instant deep feeling of a happy-to-sad mood, with mysterious and sexy moments.On A1 "So Confused", Don’t be confused, this is music to drive by in the hood with your low-rider. Gangsta boogie house at his climax for fans of Moodymann, Theo Parrish and all the raw house music mood. On A2 "Tiger Prey (Radio Edit)", with the help of Mae Rojas (Cee-O-Funk Band) on the mic, Motorbremsen keep pushing their unique vision of house music : soulful but raw, relaxed but not so slow, catchy but weird at the same time. On A3 "Sanctuary", let’s get on an electro-funk territory here. The guys explore a sound that can be rooted in seminal Arthur Baker’s productions and Drexciya’s mood but this a strong psychedelic feeling that is truly unique. All this comes with the special Motorbremsen’s touch of course. One for the B-Boys on acid... On B1 "Riding Over The Darkness", get in the D’s train for a cruise. Laidback house with a monstrous bass and this almost G-Funk feeling. Hmmmm… delicious ! One for the lovers. On B2 "Humanfreaks", let's get a bit darker. What begins like a bumpy beat get you little by little in real moody trip in a hot warehouse. Detroit techno muscular funk-infused inna 2021 style (by two guys who never listen to a Transmat record of their lives).

**** DIZONORD DEADSTOCK ****This mid 2010's branch of Dizonord co-founder DDD aka The Hustler's label was meant to provide a home for local (both La Source & DDD Records Paris shops) dancefloor artists' first releases on wax. It was also a way to challenge those young artists with veterans such as DJ Nature and Teknotika.

Mark Du Mosch and Eliott Litrowski team up for our new compilation Vâhana #02.On the one hand, the experienced Dutch producer, respected by the entire electronic scene for his raw and emotional work.On the other, Eliott Litrowski, the young French revelation based in Copenhagen, with crazy energy and limitless creative ambitions, who likes to oscillate between dark techno, Chicago house and italo disco.This unprecedented alliance between Mark Du Mosch and Eliott Litrowski perfectly represents what Cracki Records has wanted to create and transmit with its Vahana project since 2013, ie the meeting between an established artist and an artist in the making.

Two of the world's most seasoned disco editors, Michael The Lion and Jay Airiness have renewed their Franco-American alliance for another split-sided EP.The long-time friends and collaborators were last seen together dropping gems in 2016, and now they've reunited for a double-barreled sure-shot DJ-crate sure - four diverse cuts for all times of night.Philadelphia-based Michael, best known for his work with Soul Clap Records and Razor-NTape, lets loose on the A-side with two secret weapons from his DJ sets - the aggressive, anthemic disco funker "Direction NYC" and the loopy burner "Don't Know”.Jay, one of the hardest working producers in France is fresh from new efforts with his famed Venice Beach and DJ Moar projects. Jay brings a live session of jazz horns and woodwinds to the fore with “Jazzy Mind”. On “Disco Dance”, he rides a tight piano groove right out of the canon of French disco onto the modern dancefloor.

Comet Records is excited to present Afro Rhythms Vol. 1 the first repress since 1999 of Singles and Remixes out of Black Voices’s LP from Tony Allen Afrobeat pioneer, along with the iconic Psyco On Da Bus creating a new sound between experimental, electronica and afrobeat, both albums produced by sound activist Doctor L. The compilation is a proper trawl through the vault of the early years of Comet Records featuring producers and artists as IG Culture, Eska, Catalyst aka Alex Attias, Psycho On Da Bus Featuring Doctor L and Tony Allen, Cinematic Orchestra and the legendary Parisian duo Chateau Flight.The tracks "The Drum" and "Brotherhood" produced respectively by IG Culture (Son Of Scientist) and Cinematic Orchestra are part of The Allenko Brotherhood Ensemble project, a collaboration between the unique drumming style of Tony Allen and the best in contemporary producers.Comet label continues its hypnotic elliptical orbit through radical funk realms and dancefloor wormholes, connecting to five decades of music from four continents and still heading for the future, a pure and positive light to guide our way on.