S-Tone Inc.
In the Sand feat. Julia St.Louis / Tudo Pra Ela feat. Toco

Born to a French mother and a Burkinabe-Senegalese father, Jennifer "Hawa" Zonou bathed from a young age into the world of the Afro-American music. Approaching its 20th anniversary, she shows a real talent as a singer and naturally begins his musical training with the best school, Gospel. She then entered the Soul-Hip-Hop scene from Lyon, multiplying gigs and collaborations.During a show in 2008, Hawa made the acquaintance of Bruno "Patchworks" Hovart (Metropolitan Jazz Affair, Uptown Funk Empire, Mr Day, Mr President) and in the same time of Pascal Rioux and Favorite Recordings label. Seduced by what he hears, Patchworks offered her his services and in 2009, Hawa revealed to the public with a remarkable cover of "D.A.N.C.E." by Justice, and fine appearances alongside Mr Day or Mr President.Naturally, the duo nourishes the common desire to embark further and in June 2011, Hawa presented her first solo album entitled My Little Green Box. Collecting first the support and praise from many French media (France Inter, FIP, Nova, Telerama, etc ...), the groove of the album will also trigger a long series of festivals & concerts throughout France. Hawa reveals herself with a genuine stage presence, spontaneity and ability to move, that will fulfill every audiences encountered, whether in Blues, Jazz, or Contemporary Music’ a stages, and whatever generations it was. This is also an opportunity for her and Patchworks, to surround them with a cohesive group, composed with the finest musicians of the Jazz and Soul scene from Lyon.With this positive environment around her, Hawa also starts writing her new album with exalted inspiration. Once again produced by Patchworks, Another Tree marks an important evolution for Hawa, both in sound and production, writing, or influences. Deliberately more live, the entire production is made both with analog equipment and tape recorder, and with the participation of the live band members.A perfect background to enhance Hawa’s songs, which are significantly looking towards Memphis, crossing the genres between Soul, Folk, or even Rockabilly. The sound of the album also permeates the footprint of artists like the Staple Singers, Isley Brothers, or Shirley Ann Lee, labels like Hi Records, Sun, or Stax, and finally great producers like Willy Mitchell, Jack Nitzsche, or Phil Spector. Hawa happens to be more direct and confident, but also more sensitive and more deep. And without a doubt, it makes her songs just more intense, original and elegant.

Eight years after the critically acclaimed Alien Cartoon, Senegalese producer IBAAKU returns with JOOLA JAZZ LP !An alchemy of jazz, electronic sounds and Casamance music in the tradition of Touré Kunda and Xalam in their day.The album is also accompanied by a short film:a manifesto of resilience in the face of the sound poet's personal historybut also a questioning of the way in which technologies technologies and cultures come together to reinitialize our imaginary.Identity: The meeting point of electronics, jazz and the musical tradition of Casamance.The realization of this new project is associated with a research approach to traditional Casamance rhythms, vocals and instruments.A reference to Spiritual Jazz is also present, through stories and approaches ; while the skeleton of IBAAKU's tracks remains experimental,with strong influences from the emerging African club scene.

10 years that The Rongetz Foundation is hanging around the five boroughs. 10 years of wonderful jazz tainted recordings (with: Gary Bartz, Gregory Porter, Corey Fonville, Ronnie Cuber to name a few) “stained” with the grit of soul and funk music that Rongetz (aka Stephane Ronget) likes to bring to the table.This album, Alphabet City Music Club is a marvelous example of that stylish balance established in between, raw and sophisticated feel. The place of the recording first, Alphabet City, a genuine inner town in Manhattan that was for long time defined like this: “Avenue A, you're Alright. Avenue B, you're Brave. Avenue C, you're Crazy. Avenue D, you're Dead”.Then the two sessions that are part of the album: One very much jazz-funk oriented with Corey Fonville (Drums), Corcoran Holt (Acc. Bass), Mathis Picard (all Keys), Morgan Guerin (Tenor sax. / EWI), Erena Terakubo (Alto sax. / Flute). The other one spreading soul music all around with: Homer Steinweiss (Drums), Jeremy Kay (Bass), Kyle Koehler (Organ), Morgan Guerin (tenor sax).The two sessions, ultimately coming together with the help of talented young vocalists: Alina Engibaryan (Snarky Puppy), Vuyo Sotashe, Vanisha Gould, Lewis Parker, or Mr Day.Mix all those elements in a rusty blender and you will enjoy the bootleg Bourbon, hard shake that is Alphabet City Music Club.

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.

Originally released in 2002, Comet is proud to present the legendary album Homecooking, reissued with a remastered version.Tony Allen talks about the album: “After Black Voices and Psyco on Da Bus albums, I came back with HomeCooking which was an album filled with guests. I brought in Ty, who had remixed some of my work previously, to rap on the record, and Damon Albarn, who had already sung about me on ‘Music is my Radar’. On the first day in the studio, Damon didn’t record anything because we were enjoying ourselves too much. He came with two boxes of champagne and everyone got boozed and he decided he’d take the music back to his own studio and finish it there. That was the beginning of our friendship and since then we’ve done a lot of different things. Since the early days I’ve been trying to find things that everybody will want to listen to. I’ve always been pushing Afrobeat in different directions. Here’s another one again, another style, almost clean but still rough, raggedy and radical.’’

Brazilian Disco Boogie Sounds, is a compilation that brings together nine of the most important and obscure hits of the Brazilian Funk-Boogie-Disco scene during the years of 1978 to 1982. Jùnior Santos is a Carioca drummer since his 15 years old, and is today a respected vinyl collector and music researcher. More than anything, he is carried on by the love of Brazilian music, which has never been forgotten.Favorite Recordings initiative of seeking a unique project with Brazilian music carried Jùnior on to dig into old record companies’ files and bring out pearls from what he sees as the end of the Samba-Rock period. At that time musicians and arrangers such as Lincoln Olivetti, Robson Jorge, and Oberdan Magalhães along with Banda Black Rio, were responsible for the new music scene. They had dominated the studios with sophisticated and original arrangements that have forever transformed Brazilian musical perspective. This music, at that point, had gained a new style and great world respect that has remained till the contemporary times. Brazilian Disco Boogie Sounds pays tribute to this great era, coming out in a deluxe vinyl edition with old-school tip-on jacket and innersleeve including notes and original artworks.