Open today: 00:00 - 23:30

Technology For The Afterlife
Interpretations Of Eternity

Interpretations Of Eternity
Interpretations Of EternityInterpretations Of Eternity

Catno

CRACKI071

Formats

1x Vinyl LP

Country

France

Release date

Jun 3, 2022

Styles

Ambient

Technology for the Afterlife (aka Victor Groth) is an ambient/new age artist from Denmark, set to release his debut album Interpretations of Eternity on Cracki Records in the spring.

The instrumental album explores the frontiers between faith and knowledge, consciousness and oblivion, past and future. It is about longing for a time when rationality and spirituality are not arch enemies, but one and the same. When there is neither science nor religion: Only mythology.

A1

Aeternum feat. Kat Epple

A2

Forging of the Moon feat. Kat Epple

A3

Sunset Over Silver Plains

A4

Descent of the Spaceship of the Creator feat. Kat Epple

B1

An Awakening

B2

Pangæa

B3

Seducing the Serpent

B4

The Forest God Awaken

B5

Interpretation of Eternity

Other items you may like:

Phnom Penh is a Japanese instrumental band. Their first single “Joy” is a perfect mix between no wave and balearic disco. In the lineage of the Yellow Magic Orchestra, Phnom Penh cheerfully mixes synth arpeggiators, drum machines & live instruments. On the flipside, for your extra dancing pleasure Dr. Dunks aka Eric Duncan (Rub n Tug, Still Going) took the song into a psyche disco excursion, with an hyponotic bassline and some killer breaks.
This journey started for Flox on the Reunion island, in the lost heights of the Mafate cirque. It is in this area cut of¬ from the world, only accessible by foot, that the English multi-instrumentalist found himself face to face with the thrilling and endless feeling of being lost and in danger once again. A sensation that had faded away through time, weakening the flickering flame of inspiration. Listening only to his instincts, leaving aside past experiences and moving forward freely are the main ingredients of this sixth album Taste Of Grey. An album conditioned by inspiration, each song catching the feeling of the moment and releasing unblemished emotions. At ease with the di¬fferent lines of artistic creation, the multi-talented craftsman once again composed, arranged, played, and recorded Taste Of Grey; a complex mix of organic and digital music balanced between deep Jamaican rhythms and loose funky beats. Breaking down styles to build his own, spending hours reinventing a personal electro vibe that moves back and forth from rap to singing and from darker to lighter landscapes.Rather than the simple choice of black or white, Flox has chosen a path with more subtle shades of grey. A step into the unknown, writing love songs when political issues had mainly been a major theme. Writing about feelings, unclenching fists to come up with an album that tells a full story. You could listen to the album Taste Of Grey in random but this would also change the story line…
Former Steppah Huntah’ member, Missoless has collaborated and worked in the past with Nu-Tropic and also made remix for 4Hero to name just a few. Now making music as solo artist, she teams up for this project with singer Stan Smith (Tokyo Dawn Records) to re-build this forgotten unique Broken vibe. Daz-I-Kue (from Bugz in the Attic) & Lay Far talented Russian producer also collaborated and made 2 nice remixes. You will find here a blend of Hip-Hop / Broken-beat / Nu-Jazz flavors to rock the floor.
Mediterranean pop songs screwed with dirty RnB sounds. Disorientating, freudian slip disco edit takes to the clubs; up-tempo, left of field and a down right dub siren infused banger - confused yet? Slow-mo dub melting in the heat of the eternal summer, untether yourself and drift away.
Transversales Disques is very glad to announce the release of the never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry. This piece is a special tribute to Jacques Villeglé and his work. It is the world opening performance of this opus, recorded in studio Son/Ré.Pierre Henry was born in 1927 In Paris. He started studying music as early as the age of seven. In 1944, guided by Olivier Messiaen, he imagined and started composing music for the future. His meeting with Pierre Schaeffer was crucial for his creation. Inventing new technical composition processes which in time have become widely used on a large scale, he has constantly given this music a far reaching power no one expected at the start. He has also invented his own sound, as easily distinguishable as the sound of the most famous jazz musician.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.