Dumi – Maichi - Na Chi - Maraire & Nyunga Nyunga Mbira
Tichazomuona

A fantastic afro-beat album from a Fela Anikulapo Kuti disciple and Kalakuta Republic member. A sublime spiritual and political session recorded in 1979 at the Emi studio in Lagos (Nigeria). Arranged and self-produced, this second Kingsley Bucknor‘s album, hopelessly obscure and impossible to find ranks alongside the best afro-beat album in history!At the age of 19, King Bucknor Jr, also known as the Black Isaiah of Africa, released his second album backed by a 16 band members called “The Afrodisk” and 10 background singers .Two long and hypnotic grooves with all the afro -beat ingredients, fluid and complex drums patterns, strong horns, female voices on chorus, strong lyrics, beautiful keys and horns solos .Essential for all the afro collectors and music lovers.Official licence and remastered by Carvery (UK).

Continuing his journey, the former member of Egypt 80 and last trumpeter of the Black President Fela Kuti releases his second album: APP (Accumulation of Profit & Power). Muyiwa Kunnuji and his band Osemako, which has been extensively recasted since Moju Ba O - which had already laid the foundations of his afroclassicbeat - have had quite an evolution, and are eager to share a recipe that has been patiently elaborated and stewed, both on stage and in the studio.A complex mix of deep musical and cultural heritages as well as a claimed and combative Pan-African culture, APP sets the bar still one step higher in the message, but also and especially in terms of composition and polyrhythms. Inspired by Western African highlife as well as the purest afrobeat of the Afrika 70 era, and even incorporating elements of South African marabi or Central African soukous, the whole does not sound less perfectly personal, tailored, with a natural and disconcerting ease. But this easiness is only an apparent as Muyiwa devoted himself body and soul to the composition and harmony during the gestation of these tunes so widely inspired and yet intensely personal.APP will thus delight fans of African music in the broad sense as well as connoisseurs, and just as much fans of funk grooves or jazzy solos; it is a deeply plural album. Multi-influenced, multicultural, multilingual, a slice of life as much as an initiatory journey, on which hovers the spectre of Covid, which has also largely inspired this second ‘effort’. Standing against absurd sanitary rules or the accumulation of profits by the powerful of this world and other pseudo-philanthropists, APP, again, reminds us of the great Fela, as much by the use of an acronym to entitle the album as by the themes addressed or the mixing of genres. A warrior album, filled and full of revendications, but also of calls for open-mindedness. An intensely human, sincere, combative album, and however radically enthusiastic and optimistic.

Comet presents the first release from its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco reedits by LeonxLeon and Leo Nanjo.Founder of Comet Records, Eric Trosset, started working with those great heroes of West African music, back in 2010. Taking on the role of manager/publisher, Comet teamed up with Strut Records and musician/producer Ben Abarbanel Wolff to revive Ebo Taylor‘s international career with a string of album releases: Love & Death, Appia Kwa Bridge and Life Stories. In 2014, he collaborated with Pat Thomas & The Kwashibu Area Band on a new album, gathering together the old ‘pals’ (Ebo Taylor, Pat Thomas, Tony Allen) in producer Kwame Yeboah’s studio in Accra.It is with great pleasure that Comet launches this new series. Let's make this beautiful and timeless music the soundtrack to an unforgettable summer!On side A, comes “Enye Woa” by Pat Thomas, originally released in 1988 on Nakase Records and taken from the album Me Do Wiase. It’s killer disco cut, and as innovative a piece of highlife as it was 30 years ago. Paris-based producer LeonxLeon has been cooking up songs in his Parisian home-studio since 2013. He did a remarkable remix of Cerrone's "Funk Makossa" and more recently released his new Rokanbo EP on Cracki Records. His remix of “Enye Woa” is a classy modern disco cut with funky bass and spacey synths.On side B is “Atwer Abroba” by Ebo Taylor, a stand out up-tempo track from the album Twer Nyame, originally released in 1978 on Philips West African Records. Tokyo-based multi-instrumentalist/producer/arranger Leo Nanjo formed the first Japanese afrobeat group, Kingdom Afrorocks. Since the band broke up in 2014, Leo has been producing and arranging music with various collaborations, such as DJ Muro, Pushim and Misia. This is a trippy afro-futurist, broken-beat reedit with highlife grooves flying to deep space.

A revival, a resumption, a revelation… call it as you wish, Ray Stephen Oche is now delivering his musical message: fire, fun, fury, talent and magic. This is music from the African heartland, dense, intense, a genuine fermentation of black African experience in sound, a translation of Ray Stephen’s essence into a soothing, meaningful balm for your eager auditory faculties. Such is this album of “dedications”.

Originally released in 2002, Comet is proud to present the legendary album Homecooking, reissued with a remastered version.Tony Allen talks about the album: “After Black Voices and Psyco on Da Bus albums, I came back with HomeCooking which was an album filled with guests. I brought in Ty, who had remixed some of my work previously, to rap on the record, and Damon Albarn, who had already sung about me on ‘Music is my Radar’. On the first day in the studio, Damon didn’t record anything because we were enjoying ourselves too much. He came with two boxes of champagne and everyone got boozed and he decided he’d take the music back to his own studio and finish it there. That was the beginning of our friendship and since then we’ve done a lot of different things. Since the early days I’ve been trying to find things that everybody will want to listen to. I’ve always been pushing Afrobeat in different directions. Here’s another one again, another style, almost clean but still rough, raggedy and radical.’’

The funky French duo is back with a new 7inch! Once again, DjeuhDjoah & Lieutenant Nicholson push the boundaries of the traditional "French song" to make the world dance. Two funky electronic flow, ready to electrify clubs worldwide. Our two "chansonniers" are the leaders of "Afropeanité" and the Creolity. The song "Pas si vite" champions deceleration and positivity during our complex period. "Caipirinha" is a soft tribute to Bossa Nova, the dream of hot and sweet destination in a cold winter. Recorded at « Le Triangle des Bermudes » the home studio of Lieutenant Nicholson, produced and mixed by him with a electro analog sound dear to them. Horns, live drums, percussions and vocal choir were recorded at Bastille village at the label basement, even during the pandemic… Mastered by Frank Merritt at The Carvery ( London). Singles taken from the album 2+ planned for Nov 4th 2022.