Armand Bultheel
Lullabies For Computers

**** DIZONORD DEADSTOCK ****This mid 2010's branch of Dizonord co-founder DDD aka The Hustler's label was meant to provide a home for local (both La Source & DDD Records Paris shops) dancefloor artists' first releases on wax. It was also a way to challenge those young artists with veterans such as DJ Nature and Teknotika.

Mediterranean pop songs screwed with dirty RnB sounds. Disorientating, freudian slip disco edit takes to the clubs; up-tempo, left of field and a down right dub siren infused banger - confused yet? Slow-mo dub melting in the heat of the eternal summer, untether yourself and drift away.

Favorite Recordings pursues its 12inch Disco series with a new 2 tracks single by 7 Samurai. After a few remixes already produced for the label over the past 3 years, the duo (Tom Wieland & Marc Frank) known for their various edits and productions for labels such as G.A.M.M or Poets Club Records, will extend this collaboration with a new album planned for 2016.On these 2 first tracks, old-school “x-edit” kings 7 Samurai are back on da block with two soulful original party tunes.“Shake It Up” is a sun drenched disco reggae dub version of the classic rare groove anthem by The Vibrations, and features the vocal talents of Alicia “Blue Eyez” Smith. While the dubby disco flip “Cosmic Jam” (dedicated to Patrick Forge), sounds like Sun Palace´s rude movements reworked in King Tubby´s echo chamber. Essential listening!

Eight years deep into their existence, Paris-based Mawimbi are proud to present their debut album Bubbling. Through their own label and events, the collective have championed up and coming artists who look to fuse african music with the modern dancefloor. They’ve released records from Lya, Onipa, Afriquoi and James Stewart and brought established artists and fellow travellers to such as Auntie Flo, Africaine 808, Awesome Tapes From Africa and Esa to Paris. Now it’s time for the collective to unveil their identity as producers and musicians in their own right.“Bubbling” refers to the many ideas, encounters and projects that the collective have come into contact with over the past years. Through their events and their work as label curators and remixers (for artists such as Oumou Sangaré, Blick Bassy, Cerrone, Onipa), Mawimbi have become known as ambassadors for “afro-electro” - whatever that might mean - and their debut album buzzes with the contagious energy of the music they love. If you ask Mawimbi, Afro-electro is about global and local inspiration, from both sides of the Black Atlantic. It’s about paying tribute to the forefathers and the brothers and sisters in arms across the world. Afrobeat, highlife, South African bubblegum pop, Malian music, maloya… Bubbling seeks to connect geographically separate but spiritually similar club sounds.Hence “El Caribe” (feat. Ghetto Kumbé) is half cumbia, half Carribean dancehall, while “Ngana” (feat. Fatim Kouyaté) has some elements of dub music and “Kakraa” (feat. K.O.G) nods to disco‐infused Ghanaian productions from the 70s. Despite the influences, this is a record designed for home-listening, a nod to our present circumstances, but also a deliberate step away from dancefloor. A moment of patience and reflection as much as joy and celebration.`Above all, Bubbling is a personal record, about unexpected cross-pollinations and the collective’s individual explorations of these musical territories. Mawimbi's own history is one of coincidences and chance encounters, and so is “Bubbling”. All the collaborations were born out of the connections made over the last 8 years. A WhatsApp chat with Zambian artist Mufrika, a spontaneous studio jam with Ghetto Kumbé in a Parisian Basement: these are captured moments of real, vital connections made.Like Mawimbi itself, Bubbling is a collage of relationships and shared experiences, shaped by nascent friendships and musical encounters. It’s a truly DIY document in that sense, the sound of the last eight years of the Mawimbi adventure: free spirited, passionate, warm and generous.

Otis Stacks is a collaboration between Michael Munch (aka JustMike), a producer from Denmark, and Elias Wallace a singer songwriter from Pasadena, California. The music is analog synth based soul with undertones of the hip-hop culture that both grew up in.Otis Stacks sound was conceived out of JustMike’s growing collection of vintage analog synths. As he collected old analog synthesizers, he experimented with new sounds and created a sparse soulful sound. During a tour through the French Alps with Elias and the Danish band Dafuniks, Elias and JustMike recorded a song that later would became “Fashion Drunk”, the first single off of their EP The Break Up. After hearing the sound that they both came up with they formed Otis Stacks and wrote and recorded songs in Nice, Montpellier, and Paris, while touring France.Otis Stacks use of analog synth sounds and Rhodes piano give it a distinct sparse sound. It is soulful and hearkening back to an older more pure time in music before over processing and auto tune dominated the approach. Elias adds thoughtful, emotional lyrics and strong melodies to the mix. It all works together to create meaningful songs that explore loss, pain, and longing in the sometimes vacuous and hedonistic nature of the music world.

**** DIZONORD DEADSTOCK ****Following the launch of Prospector, a unique live-label concept, Pit Spector is back with release 02, this time partnering up with the charismatic Dutchman San Proper.This 2015 deadstock is the second instalment of French label Prospector, a combination between San Proper's (Rush Hour, Perlon...) & Pit Spector's (Logistics, Minibar...) twisted minds. This time Pit Spector invited his San Proper himself for a crazy gold rush excursion. Beautiful pressing and crazy stupid sleeve design by graffiti legend O'Clock. Also comes with a O'Clock poster inside!Here's a new episode from Pit Spector's unique live label concept. This time Narcotic Syntax join forces with him to present a space cruise EP for a dance travel.