Mali-I
Fallow Tales EP

Mark Du Mosch and Eliott Litrowski team up for our new compilation Vâhana #02.On the one hand, the experienced Dutch producer, respected by the entire electronic scene for his raw and emotional work.On the other, Eliott Litrowski, the young French revelation based in Copenhagen, with crazy energy and limitless creative ambitions, who likes to oscillate between dark techno, Chicago house and italo disco.This unprecedented alliance between Mark Du Mosch and Eliott Litrowski perfectly represents what Cracki Records has wanted to create and transmit with its Vahana project since 2013, ie the meeting between an established artist and an artist in the making.

Stix Records is a sub-division of Favorite Recordings specialized in the exercise of producing covers with a Reggae twist. Following the success of its first volume, the Disco Reggae series also expands with this 9 tracks compilation, composed with 8 new and exclusive versions by artists such as Taggy Matcher, 7 Samuraï, Mato, or John Milk, and the classic cover of “Tainted Love” by Grandmagneto. But this time, if they still explore famous hits like “Watermelon Man” by Herbie Hancock or “Happy” by Pharrell Williams, they also dug within the home labels’ catalog, taking over some of the finest titles by Mr Day, Lee McDonald, Lucas Arruda or The Joubert Singers. Again this time, their swaying renditions seem straight out of the smoky studios from Kingston or Montego Bay, while also remembering the 80s Pop-Reggae sound of artists like Grace Jones or the less famous Earons. Everything is mastered and cut at Carvery Records (UK), known for their expertise in Caribbean and Disco music.

Bruno “Patchworks” Hovart is one of the top producers of today’s groove music scene. After playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today’s technologies with the raw spirits of House, Electronic, Disco, Funk, Soul, Reggae & Jazz music’s golden years since then.Following the trail of success left by his various projects as Patchworks, and under many aliases, he’s proved his musical ubiquity and unexpectedly stroke in various genres. Many House music diggers would indeed remember that before Favorite Recordings was launched in 2006, Patchworks produced many deep-house tracks on various labels.On this new EP, he’s back as Mr President with 2 new banging titles brilliantly mixing House music atmosphere, with Soul and Disco vibes. He’s also teaming up again with Sabba MG on vocals, following to their great “Give My Love” efforts, released on EDR Records 3 years ago. As “Going to a Go Go” is a fully exclusive work reminiscent of the early House music scene from New-Jersey or Chicago, the nice Disco flavors of “Night Time” also come to announce Mr President’s upcoming new album in 2017.

This is the first release on All Nation Records new label, courtesy of French producer Simon Nyabinghi. With all instruments and mix done in his freshly rebuilt studio, Simon delivers a proper roots and dub riddim that has already done the rounds as dubplate magic around the globe prior to its official release. With the help of young and upcoming talent Youthie on trumpet duties, this uplifting track will rock any sessions as well as your living room, especially when followed by the wild dub mix you’ll find on the flip of this record.

Buddy Sativa, known for his skills as a beatmaker, has just dropped his first album as producer-composer of an exceptional jazz opus.After more than 10 years messing around with music, the self-taught musician orchestrated this magnificent solo project with the help of vintage sounds and modern techniques, blending African and even classical influences. The result gives the impression that a plethora of musicians has come to pay tribute to the jazz gods and take part in the mystical experience of this album. The sheer beauty and emotion is breathtaking, as the famous Gilles Peterson has confirmed by playlisting 2 tracks…LP includes special 7 inch Mystic Voyage & Una Peripecia produced by Onra.

The music on this compilation was, for the most part, originally released privately in Geneva in 1988; the Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music orchestra. The Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band members/writers resulted in a wide variety of music: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz. But it was Oestreicher’s presence, at both the start and end of the process, that provided a sure conceptual framework and a comprehensive sound world. There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.The heart of this music’s appeal lies in Oestreicher’s complex intentions and methodologies. He revels in occupying the unsteady ground between analogue and digital, pushing his players to robotic precision while opportunistically grabbing on to the unpredictable results of computer error. He harks back to communal rigour of big band or orchestra structures, while understanding beautifully that the sounds of the future will not be synthesised imitations of existing instruments but something entirely other. He seizes on the value of resituating or recombining the sounds given to him by his bandmates, twisting them out of shape to create vivid new worlds for the listener to occupy. As a mathematician, he approaches the problem of group music making with a seriousness that results in beauty as a matter of course.