The Brooks
Anyday Now

Driven by a vicious and visceral soul, The Buttshakers are known for their fierce and fiery music.Yet after nearly a decade of touring and recording, it was with a different musical vision that they approached Sweet Rewards, their first collaboration with Underdog Records. Accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of pre-Motown soul music, A sound they could have continued to dig into again and again. Instead, they decided to take another route: a creative shift, a return to a style of soul music that no longer has to rely on pure energy alone. Exceeding the limitations imposed by their tight yet powerful six person lineup, they opened up this studio session to fully accommodate their ideas and concretize their musical ambitions: a larger horn section creates a richer, scintillating sonority; a touch of slide-guitar opens their creative universe to the open spaces of the far West; the organ vacillates between psychedelic drapery and heartfelt gospel tones; all of this supported by the wicked groove of a percussionist driving the beat on. Their sultry and soulful frontwoman, Ciara Thompson, is here for the first time supported by backing vocalist. An occasion for her to indulge in a few call and- response chorales, a reverence to a gospel background instilled in her from her native St Louis (Missouri), a still vibrant heritage from the city that cradled jazz, blues, country and folk music. Ideal for a sound that never lets down yet remains intuitive to the gradual rise of emotion each song demands. With each new listening, Sweet Rewards reveals something new to the listener: another dimension, a hidden layer.

Weekend Loving from Jennifer Lara is a perfect blend of boogie funk, roots reggae and lovers rock. Produced by Black Solidarity Records in 1985, this album is a masterpiece from the Studio One princess. Recorded at Tuff Gong and Music Mountain studios in Jamaica, the rhythm tracks are played by some of the best musicians from the island in the sun: Lincoln ‘Style’ Scott (Drum), Errol ‘Flabba’ Holt (Bass), Robbye Lyn (Piano & Synthetiser), Dean Frazer & Ronald ‘Nambo’ Robinson (Horns). This reissue was carefully remastered from Black Solidarity master tape, now presented as a double LP 45 rpm DJ friendly edition. The original Limonious artwork was reloaded and a bonus track was added to complete the set: ’In My Time’, an obscure slow synth groove, full of hope and melancholy.Jennifer Lara was first taken to Studio One in 1969 by keyboardist Richard Ace, who was a session musician. She never left the Studio One family and became resident harmonist. She added backing vocals to the songs of some of the camp’s biggest names, including Delroy Wilson, Freddie McGregor, Dennis Brown and Sugar Minott. In 1974, Jennifer Lara recorded her debut album with Coxsone Dodd at Studio One in Brentford Road. The results of the sessions appeared on ‘Studio One Presents Jennifer Lara’, which was an instant success. Jennifer Lara was one of Clement 'Coxsone' Dodd’s protégés. One year after Coxsone passed, she died at the Kingston Public Hospital. She is survived by two children, daughter Ika and son Cheka. Jennifer Lara was a very likeable person, got on with everyone. She was involved in many benefit concerts to help to poor and the needy in Jamaica. May your soul rest in peace, we love you Jennifer.

** Available exclusively at The Pusher **Comet Records present the new reissue out of the Comet new reissue series, Dilijans by Ayizan. A mind-blowing session of Spiritual Jazz recorded in NYC in 1984 led by Haitian genius Alix Pascal blending traditional Ra Ra elements with modal/spiritual melodies. The result was like nothing else coming out of Haiti or the Haitian exile community in the US at the time. Dark, mystical, lyrical and abstract, with its otherworldly shifting rhythms, Dilijans came off like a Haitian version of Bitches Brew. The album sounds less like a stylish mini-jazz performing in a hotel dancehall than like a cry of ancestors emanating from the spirit world to lament over the complications of modern Haitian society.

Véronique Sanson is one of the most famous French pop oriented female singer, songwriter, and composer of the 80s. She began her career in the 70s, and was the girlfriend of genius composer Michel Berger. Her world turnt upside down when she met Stephen Stills of Crossby Stills & Nash. One Day, during a recording session in Paris, she left the studio pretending to go buy cigarettes, but never came back... She flew overnight to the USA, where she married Stephen Stills. In LA, she records new music with superstar composers such as Ray Parker JR and Harvey Mason. "Bernard's Song", produced in 1976, was the first single of the double gold album Hollywood.Funky French League is an intergenerational collective (based in Paris) formed by Young Pulse (Gamm) , Dabeull (Roche Musique), Arthur Chaps, Woody Braun (Malka Family), Mr Willy, DJ Asko et Uncle T (Groove Deluxe). All coming from different universe from hip-hop, to electronic music, but united by their love for the groove and the funk.

** Available exclusively at The Pusher **Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it!Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.

Behind the name Mr Day, lies a band led by singer, guitarist, DJ & collector Eric Duperray. From the mid-90's Eric begins to make a name for himself with the group Kool Cats Club and tours a lot in the Acid Jazz scene, repeatedly making the first part of the label's leading bands like Corduroy or Mother Earth.In 2003, Eric works alongside Bruno "Patchworks" Hovart, a real starting point for a collaboration that will take them on very different playgrounds, with notable successes including, among others, the classic "Yonuwhathislifeez" under the name Metropolitan Jazz Affair, the incredible 45s "Seven Nation Army / Move On Up" by The Dynamics, the recent hit by Mr President, "The Best Is Yet To Come" or the track "Food For Soul" available on this new album, and which already received recognition before its release (international ad soundtrack for Nespresso, compilation Psyche on Acid-Jazz and finally the soundtrack for Alexander Coffre's latest movie).Meanwhile, Eric and Bruno formed the band Mr Day in 2007, with experienced Jazz and Rock musicians. Without waiting they release a series of 45's, EPs and start touring, which leads to their first album, Small Fry, released in 2010 on Favorite Recordings. Small Fry not only receives a warm welcome, it also lays a solid foundation for a real band and a unique sound.Today, the project Mr Day keeps affirming itself. During the writing of this second album, the band evolved naturally towards a more ambitious sound which clearly set them at the intersection of Rock and Soul from the 60s to now. The band also decided to use 100% analog production and recording techniques: magnetic tapes, live takes and cracklings contribute to producing a rich and organic sound. However, Mr Day is far from being a revival band. On the contrary, Dry Up In The Sun appears resolutely timeless, that is to say in his vintage, yet modern approach. The beats perfectly coexist alongside the guitars, as in the great era of Primal Scream in the 90s. The alchemy seems perfect and natural on each of the 10 tracks that make up this inspired and mastered sophomore work.