Tribeqa
Experiment

This new Oriki Music compilation includes serious 1970’s Afro dancefloor hits, surely a promising favorite among deejays, Afrofunk and Tropical music revival aficionados.Vinyl diggers can finally play some of Ivory Coast’s hardest to find deep funk, Afrobeat, Manding and Tropical rhythms tunes recorded by such legends as Moussa Doumbia, De Frank Jr, or Francis Kingsley.The consistent liner notes focus on the original label history, Société Ivoirienne du disque, based on interviews with the producer. Original unreleased pictures of the artists and 1970’s Abidjan city, a great artwork and a limited press gatefold double LP and digipack CD make it a beautiful collectible object.Compiled by pioneer African music digger and respected deejay Greg de Villanova, a legend among Afro/Tropical music collectors and deejays, it signs the great return of the dormant French record label, which released such wonders as Orchestra Baobab’s A Night At Club Baobab or Moussa Doumbia’s Keleya.

On this new opus, the music of Tribeqa is tinted with new Experiments. The balafon and the acoustic guitar are next to the turntables and the electronic loops of the remixers PARRAD (ATOM from C2C), SCRATCH BANDITS CREW (Chinese Man Records), SORG (new selection of Printemps de Bourges), BLANKA (La Fine Equipe), LAWKYZ, DAWATILE, STRAYBIRD and more… offering a new sensory journey, a powerful, modern and innovative groove that does not turn its back on traditions. This album of remixes is a special edition planned for the Disquaire Day, a vibrant homage of the electronic hip-hop scene to this UFO group that bears the colors of the experiment and is already considered cult by some.

Star Wax, the famous French magazine, invites Diggers Factory for its 3rd compilation on vinyl. And what a compilation! We are proud to offer you exclusive tracks and quality music with this funk / hip-hop / oriental compilation, with tracks from 1976 to 2016 by artists such as Geraldo Pino, Chayeb Chbab, Janko Nilovic, 47Soul, Quiet Dawn, Sa’Bat Machine & Tam Ly, Ahmed Malek, Last Bongo In Paris, or Doc Strange.

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Official reissue of one of the hardest to find albums by the Afro Soul maestro, a pure Afro Funk spiritual grail from 1978!Born in 1943 in Ikole-Ekiti in Ondo State, Nigeria, Orlando Julius Ekemode (“Orlando was really a nickname, taken from the Nigerian actor, Orlando Martins“) had started in music from an early age, becoming the school drummer and learning flute, bugle and other instruments at St Peters Anglican School in Ikole-Ekiti. Nigerian musician, singer-songwriter and multi-instrumentalist, he is credited as one of the first musicians to fuse US R&B into traditional highlife music, creating his own influential Afrobeat sound during the mid-‘60s.From his time playing in the USA during the 1970s onwards, he is credited with bringing African music to a broader audience and famously co-composed the song “Going Back To My Roots” with Lamont Dozier. In 1978, Orlando Julius Ekemode decided to produce himself this amazing session, originally recorded between Maryland and West Virginia (USA) and released in limited quantity in Nigeria by the obscure label Jungle Records. 6 stunning Afro-Funk monster tracks, recorded by 8 musicians based in Oakland. Fully licensed with the artist and remastered by The Carvery. Essential!