The Marv
A King of Tunes (Ragadevan)

Parson Jones is a tree. No joke: in the American duo, neither member is named Parson or Jones. One, singer, is Joshua Hollenstein. The other, multi-instrumentalist and producer, is Kerry Fogarty. So Parson Jones is a tree. “A giant redwood that we spotted near us at Armstrong Woods in northern California.” He has the right to his own plaque. And to his name. Parson Jones is 1,300 years old. He deserved this special treatment. “Sometimes people call us Parson & Jones, they want to know who Parson is, who Jones is,” Kerry laughs.Without demonstration of style, Parson Jones envisages all the music which make the buttocks dance and the brain meditate. Often in the same song, the temperatures play yo-yo, but it is the beneficence, the generosity, the nonchalance of the melodies that have the last word. It does not matter if the dressing is funk, rock, pop, soul, psychedelic, if the tone is euphoric or melancholic: it’s the great and beautiful score of timeless pop-music played by Parson Jones.

Recorded mostly as a live-jam, august 2019, Il Sogno di Carmen is the result of a solitary producer meeting a nomad musician, Viscardi & Alano Santo. A brand new friendship. From there, the duo leads us to a spontaneous and fragile vacation story that yet manages to frame, with a sometimes mischievous accuracy, the current Genevan musical spirit : experimental, sincere, hybrid and hot.“I have no idea where this will lead us. But I have a definite feeling it will be a place both wonderful and strange. Deep into summer, most definitely. The season of torrid bodies, of slowed down movements ; where melancholy creeps in the form of light and inconstant paragraphs, italian-style. Dragged around in hedonistic reunions, spiritual vagrancies and the soothing coolness of the Rhone river, Carmen is smooth and frivolous. She loosens up. Nothing is important. It can wait. Him too, you mainly. Geneva in the tropics, Bongo Joe on the terrace, stolen emerald glances & air-conditioned airports. That's it. A wonderful and insignifiant story”.

ONIPA means ‘human’ in Akan, the ancient language of the Ashanti people of Ghana. It’s a message of connection through collaboration: from Ghana to London, our ancestors to our children, Onipa brings energy, groove, electronics, afrofuturism, dance and fire!Born out of deep collaboration between longtime friends KOG (Kweku of Ghana of KOG and the Zongo Brigade) and Tom Excell (MD, guitarist and writer of acclaimed jazz/ soul afrobeat pioneers Nubiyan Twist), the 4 piece live show features KOG on vocals, balafon and percussion, Tom Excell on guitar, percussion and electronics, Dwayne Kilvington (Wonky Logic) on synths and MPC and Finn Booth (Nubiyan Twist) on drums.It’s a fresh, raw, fiercely energetic new sound, fusing electronics and deep afro grooves. Think Konono no.1 meets Shangaan Electro, Songhoy Blues and Débruit….Having played their first show to 5000 people in Australia to commemorate Nelson Mandela’s 100th birthday, and tearing the roof off The Great Escape in Brighton for their second, the project is picking up momentum rapidly, with a single launch booked at exciting new London venue Ghost Notes, followed up by an EP tour in August/September with shows across Europe including the main dance stage at Shambala Festival and London’s iconic Jazz Café.This release is first time collaboration between London label Wormfood and Paris-based Mawimbi, who have both been pushing their own brand of homegrown afro-electronic music, so it’s an absolutely natural partnership.

For his twelfth studio album, Pianissimo, Matthias Vogt ([re:jazz], Motorcitysoul) makes a clear political statement in symbiosis with his well-placed notes and the stylishly experimental and pronouncedly eclectic electro-jazz sound. Pianissimo does not only mean playing very softly but also playing very intensively. It is definitely not an album to skip through.Matthias Vogt combines great music with current socio-political attitudes and issues for this new album. He conducted interviews on topics like “climate change” with people from his circle of friends and acquaintances - creatives, artists, activists and musicians who tick similarly to himself and with whose voices he could give expression and form to his own thoughts. With this material, he created this hybrid piece of music and socio-political reflexion.His companions are Demian Kappenstein (ÄTNA & Massa) on drums & guitarist Daniel Stelter (Sing mein Song, TV-Total Heavytones). Vinyl incl. the outer packaging will be produced on a completely recycled basis by INFRACom! which starts its 30 years celebration with this release.